An Old English Home and Its DependenciesBaring-Gould, S. (Sabine)
History
An Old English Home and Its Dependencies
Baring-Gould, S. (Sabine)
England -- Social life and customs
A friend one day saw a screen of carved oak in a cottage. He bought it
for half a guinea, and then called me into consultation on it. With a
little study it revealed itself to be the back of a settle of Henry
VII.'s reign. The mortices for the arms and for the seat were there;
also nail marks showing that stamped leather had been fastened to the
back below the sculpture. There were pegs showing where had been the
pilasters sustaining the canopy, and one scrap of canopy still extant.
I show the restoration (p. 57).
Fine though this be, I know something better still--not in art, but for
cosiness, and that is the curved settle, it is constructed in an arc.
In a farmhouse I know well are two such settles, and they are connected
by a curved iron rod fastened to the ceiling, and there are green baize
curtains depending from this rod.
On a winter evening, the farmer and his wife and the serving maidens
and young men come into the kitchen, and the circle is completed with
chairs or stools, the curtains are drawn, the fire is made up, and a
very jolly evening is spent with cakes and cider, and tales and jokes
and song.
I was at a sale one day--a very small farm but an old one. A farmer
bid for the settle--a small one. One of his daughters was there. She
turned to her sister and said: "I say, Nan, vaither he've gone and
bought the settle, and it's lovely; it will hold only two."
"Well, Jane," said her sister, "I reckon--that depends. You must have
the right one beside y'; then it's just large enough, and you don't
want no more."
When I was a child, some sixty years ago, the mat before the fire was
the line of demarcation, beyond which a youngster might not go.
"My dear," said my grandmother, "fires are made to be seen--not felt."
Oh, how we shivered beyond the mat! I used to look at a patent
bacon-toaster, and resolve, when I was a man and independent, to have a
curved settle formed of burnished tin, and to sit before a roaring fire
in the focus of all the converging rays, and never stir therefrom from
Michaelmas till Lady Day. But the curved settle answers the purpose.
Among the troubles and irritations of life, one of the worst is a smoky
chimney, and among all the hideousness of modern contrivances nothing
surpasses the cowl.
It is very curious that architects should set themselves to work to
violate first principles, and so involve us in these troubles. In the
first place, to ensure that a chimney shall not smoke, the flue must
be made large enough to carry the smoke. This is a principle very
generally neglected. Next it is necessary that the chimney should not
have a flat top, for then the wind beats against the broad surface,
and, of course, prevents the smoke from rising, and much of it is
deflected down the flue.
Public-domain text, read in full here on John Shaqi.
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