The poor Chevalier de Valois retained from his former life the need of bestowing gallant protection, a quality of the seigneurs of other days. Faithful to the system of the “petite maison,” he liked to enrich women,--the only beings who know how to receive, because they can always return. But the poor chevalier could no longer ruin himself for a mistress. Instead of the choicest bonbons wrapped in bank-bills, he gallantly presented paper-bags full of toffee. Let us say to the glory of Alencon that the toffee was accepted with more joy than la Duthe ever showed at a gilt service or a fine equipage offered by the Comte d’Artois. All these grisettes fully understood the fallen majesty of the Chevalier de Valois, and they kept their private familiarities with him a profound secret for his sake. If they were questioned about him in certain houses when they carried home the linen, they always spoke respectfully of the chevalier, and made him out older than he really was; they talked of him as a most respectable monsieur, whose life was a flower of sanctity; but once in their own regions they perched on his shoulders like so many parrots. He liked to be told the secrets which washerwomen discover in the bosom of households, and day after day these girls would tell him the cancans which were going the round of Alencon. He called them his “petticoat gazettes,” his “talking feuilletons.” Never did Monsieur de Sartines have spies more intelligent and less expensive, or minions who showed more honor while displaying their rascality of mind. So it may be said that in the mornings, while breakfasting, the chevalier usually amused himself as much as the saints in heaven. Suzanne was one of his favorites, a clever, ambitious girl, made of the stuff of a Sophie Arnold, and handsome withal, as the handsomest courtesan invited by Titian to pose on black velvet for a model of Venus; although her face, fine about the eyes and forehead, degenerated, lower down, into commonness of outline. Hers was a Norman beauty, fresh, high-colored, redundant, the flesh of Rubens covering the muscles of the Farnese Hercules, and not the slender articulations of the Venus de’ Medici, Apollo’s graceful consort. “Well, my child, tell me your great or your little adventure, whatever it is.”