Biographical fiction; French fiction -- Translations into English
“I know what brings you,” replied the saintly man. “I must trust to you,
madame, and to your relation, Madame du Bousquier, to pacify Monseigneur
the Bishop at Seez. Yes, I will pray for your unhappy child; yes, I will
say the masses. But we must avoid all scandal, and give no opportunity
for evil-judging persons to assemble in the church. I alone, without
other clergy, at night--”
“Yes, yes, as you think best; if only he may lie in consecrated ground,”
said the poor mother, taking the priest’s hand and kissing it.
Toward midnight a coffin was clandestinely borne to the parish church by
four young men, comrades whom Athanase had liked the best. A few friends
of Madame Granson, women dressed in black, and veiled, were present; and
half a dozen other young men who had been somewhat intimate with this
lost genius. Four torches flickered on the coffin, which was covered
with crape. The rector, assisted by one discreet choirboy, said the
mortuary mass. Then the body of the suicide was noiselessly carried to a
corner of the cemetery, where a black wooden cross, without inscription,
was all that indicated its place hereafter to the mother. Athanase lived
and died in shadow. No voice was raised to blame the rector; the bishop
kept silence. The piety of the mother redeemed the impiety of the son’s
last act.
Some months later, the poor woman, half beside herself with grief, and
moved by one of those inexplicable thirsts which misery feels to steep
its lips in the bitter chalice, determined to see the spot where her son
was drowned. Her instinct may have told her that thoughts of his could
be recovered beneath that poplar; perhaps, too, she desired to see
what his eyes had seen for the last time. Some mothers would die of the
sight; others give themselves up to it in saintly adoration. Patient
anatomists of human nature cannot too often enunciate the truths before
which all educations, laws, and philosophical systems must give way.
Let us repeat continually: it is absurd to force sentiments into one
formula: appearing as they do, in each individual man, they combine with
the elements that form his nature and take his own physiognomy.
Madame Granson, as she stood on that fatal spot, saw a woman approach
it, who exclaimed,--
“Was it here?”
That woman wept as the mother wept. It was Suzanne. Arriving that
morning at the hotel du More, she had been told of the catastrophe. If
poor Athanase had been living, she meant to do as many noble souls,
who are moneyless, dream of doing, and as the rich never think of
doing,--she meant to have sent him several thousand francs, writing up
the envelope the words: “Money due to your father from a comrade who
makes restitution to you.” This tender scheme had been arranged by
Suzanne during her journey.
The courtesan caught sight of Madame Granson and moved rapidly away,
whispering as she passed her, “I loved him!”
Public-domain text, read in full here on John Shaqi.
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