Biographical fiction; French fiction -- Translations into English
Suzanne, faithful to her nature, did not leave Alencon on this occasion
without changing the orange-blossoms of the bride to rue. She was the
first to declare that Madame du Bousquier would never be anything but
Mademoiselle Cormon. With one stab of her tongue she revenged poor
Athanase and her dear chevalier.
Alencon now witnessed a suicide that was slower and quite differently
pitiful from that of poor Athanase, who was quickly forgotten by
society, which always makes haste to forget its dead. The poor Chevalier
de Valois died in life; his suicide was a daily occurrence for fourteen
years. Three months after the du Bousquier marriage society remarked,
not without astonishment, that the linen of the chevalier was frayed and
rusty, that his hair was irregularly combed and brushed. With a frowsy
head the Chevalier de Valois could no longer be said to exist! A few
of his ivory teeth deserted, though the keenest observers of human life
were unable to discover to what body they had hitherto belonged, whether
to a foreign legion or whether they were indigenous, vegetable or
animal; whether age had pulled them from the chevalier’s mouth, or
whether they were left forgotten in the drawer of his dressing-table.
The cravat was crooked, indifferent to elegance. The negroes’ heads grew
pale with dust and grease. The wrinkles of the face were blackened and
puckered; the skin became parchment. The nails, neglected, were often
seen, alas! with a black velvet edging. The waistcoat was tracked and
stained with droppings which spread upon its surface like autumn leaves.
The cotton in the ears was seldom changed. Sadness reigned upon that
brow, and slipped its yellowing tints into the depths of each furrow.
In short, the ruins, hitherto so cleverly hidden, now showed through the
cracks and crevices of that fine edifice, and proved the power of the
soul over the body; for the fair and dainty man, the cavalier, the young
blood, died when hope deserted him. Until then the nose of the chevalier
was ever delicate and nice; never had a damp black blotch, nor an amber
drop fall from it; but now that nose, smeared with tobacco around the
nostrils, degraded by the driblets which took advantage of the natural
gutter placed between itself and the upper lip,--that nose, which no
longer cared to seem agreeable, revealed the infinite pains which
the chevalier had formerly taken with his person, and made observers
comprehend, by the extent of its degradation, the greatness and
persistence of the man’s designs upon Mademoiselle Cormon.
Public-domain text, read in full here on John Shaqi.
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