New Hampshire -- History -- Colonial period, ca. 1600-1775; Portsmouth (N.H.) -- Social life and customs
Wibird Penhallow’s heaviest patron was the keeper of a variety store,
and the first specimen of a pessimist I ever encountered. He was an
excellent specimen. He took exception to everything. He objected to the
telegraph, to the railway, to steam in all its applications. Some of his
arguments, I recollect, made a deep impression on my mind. “Nowadays,”
he once observed to me, “if your son or your grandfather drops dead at
the other end of creation, you know of it in ten minutes. What’s the
use? Unless you are anxious to know he’s dead, you’ve got just two or
three weeks more to be miserable in.” He scorned the whole business, and
was faithful to his scorn. When he received a telegram, which was rare,
he made a point of keeping it awhile unopened. Through the exercise of
this whim he once missed an opportunity of buying certain goods to great
advantage. “There!” he exclaimed, “if the telegraph hadn’t been invented
the idiot would have written to me, and I’d have sent a letter by return
coach, and got the goods before he found out prices had gone up in
Chicago. If that boy brings me another of those tapeworm telegraphs,
I’ll throw an axe-handle at him.” His pessimism extended up, or down, to
generally recognized canons of orthography. They were all iniquitous. If
k-n-i-f-e spelled knife, then, he contended, k-n-i-f-e-s was the plural.
Diverting tags, written by his own hand in conformity with this theory,
were always attached to articles in his shop window. He is long since
ded, as he himself would have put it, but his phonetic theory appears to
have survived him in crankish brains here and there. As my discouraging
old friend was not exactly a public character, like the town crier or
Wibird Penhallow, I have intentionally thrown a veil over his identity.
I have, so to speak, dropped into his pouch a grain or two of that
magical fern-seed which was supposed by our English ancestors, in
Elizabeth’s reign, to possess the quality of rendering a man invisible.
Public-domain text, read in full here on John Shaqi.
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