New Hampshire -- History -- Colonial period, ca. 1600-1775; Portsmouth (N.H.) -- Social life and customs
The Stamp Act was to go into operation on the first day of November. On
the previous morning the “New Hampshire Gazette” appeared with a deep
black border and all the typographical emblems of affliction, for was
not Liberty dead? At all events, the “Gazette” itself was as good as
dead, since the printer could no longer publish it if he were to be
handicapped by a heavy tax. “The day was ushered in by the tolling
of all the bells in town, the vessels in the harbor had their colors
hoisted half-mast high; about three o’clock a funeral procession was
formed, having a coffin with this inscription, LIBERTY, AGED 145,
STAMPT. It moved from the state house, with two unbraced drums, through
the principal streets. As it passed the Parade, minute-guns were fired;
at the place of interment a speech was delivered on the occasion,
stating the many advantages we had received and the melancholy prospect
before us, at the seeming departure of our invaluable liberties. But
some sign of life appearing, Liberty was not deposited in the grave;
it was rescued by a number of her sons, the motto changed to Liberty
revived, and carried off in triumph. The detestable Act was buried in
its stead, and the clods of the valley were laid upon it; the bells
changed their melancholy sound to a more joyful tone.” (1. Annals of
Portsmouth, by Nathaniel Adams, 1825.)
With this side glance at one of the curious humors of the time, we
resume our peregrinations.
Turning down a lane on your left, a few rods beyond Liberty Bridge,
you reach a spot known as the Point of Graves, chiefly interesting as
showing what a graveyard may come to if it last long enough. In 1671 one
Captain John Pickering, of whom we shall have more to say, ceded to
the town a piece of ground on this neck for burial purposes. It is an
odd-shaped lot, comprising about half an acre, inclosed by a crumbling
red brick wall two or three feet high, with wood capping. The place
is overgrown with thistles, rank grass, and fungi; the black slate
headstones have mostly fallen over; those that still make a pretense of
standing slant to every point of the compass, and look as if they
were being blown this way and that by a mysterious gale which leaves
everything else untouched; the mounds have sunk to the common level, and
the old underground tombs have collapsed. Here and there the moss and
weeds you can pick out some name that shines in the history of the early
settlement; hundreds of the flower of the colony lie here, but the
known and the unknown, gentle and simple, mingle their dust on a perfect
equality now. The marble that once bore a haughty coat of arms is as
smooth as the humblest slate stone guiltless of heraldry. The lion and
the unicorn, wherever they appear on some cracked slab, are very much
tamed by time. The once fat-faced cherubs, with wing at either cheek,
are the merest skeletons now. Pride, pomp, grief, and remembrance are
all at end. No reverent feet come here, no tears fall here; the old
Public-domain text, read in full here on John Shaqi.
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