Produced by David Widger
THE DOLIVER ROMANCE AND OTHER PIECES
TALES AND SKETCHES
By Nathaniel Hawthorne
AN OLD WOMAN’S TALE
In the house where I was born, there used to be an old woman crouching
all day long over the kitchen fire, with her elbows on her knees and her
feet in the ashes. Once in a while she took a turn at the spit, and she
never lacked a coarse gray stocking in her lap, the foot about half
finished; it tapered away with her own waning life, and she knit the
toe-stitch on the day of her death. She made it her serious business
and sole amusement to tell me stories at any time from morning till
night, in a mumbling, toothless voice, as I sat on a log of wood,
grasping her check-apron in both my hands. Her personal memory included
the better part of a hundred years, and she had strangely jumbled her
own experience and observation with those of many old people who died in
her young days; so that she might have been taken for a contemporary of
Queen Elizabeth, or of John Rogers in the Primer. There are a thousand
of her traditions lurking in the corners and by-places of my mind, some
more marvellous than what is to follow, some less so, and a few not
marvellous in the least, all of which I should like to repeat, if I were
as happy as she in having a listener. But I am humble enough to own,
that I do not deserve a listener half so well as that old toothless
woman, whose narratives possessed an excellence attributable neither to
herself, nor to any single individual. Her ground-plots, seldom within
the widest scope of probability, were filled up with homely and natural
incidents, the gradual accretions of a long course of years, and fiction
hid its grotesque extravagance in this garb of truth, like the Devil (an
appropriate simile, for the old woman supplies it) disguising himself,
cloven-foot and all, in mortal attire. These tales generally referred
to her birthplace, a village in the valley of the Connecticut, the
aspect of which she impressed with great vividness on my fancy. The
houses in that tract of country, long a wild and dangerous frontier,
were rendered defensible by a strength of architecture that has
preserved many of them till our own times, and I cannot describe the
sort of pleasure with which, two summers since, I rode through the
little town in question, while one object after another rose familiarly
to my eye, like successive portions of a dream becoming realized. Among
other things equally probable, she was wont to assert that all the
inhabitants of this village (at certain intervals, but whether of
twenty-five or fifty years, or a whole century, remained a disputable
point) were subject to a simultaneous slumber, continuing one hour’s
space. When that mysterious time arrived, the parson snored over his
half-written sermon, though it were Saturday night and no provision made
Public-domain text, read in full here on John Shaqi.
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