An Open-Eyed Conspiracy; An Idyl of SaratogaHowells, William Dean
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An Open-Eyed Conspiracy; An Idyl of Saratoga
Howells, William Dean
New York (State) -- Fiction; Saratoga (N.Y.) -- Fiction; Saratoga Springs (N.Y.) -- Fiction
“Basil,” said my wife, after a moment, “if you could be serious, I should
like very much to talk with you. I know that you’re excited by meeting
Mr. Kendricks, and I know what you thought the instant you saw him. But,
indeed, it won’t do, my dear. It’s more than we’ve any right to ask, and
I shall not ask it, and I shall not let you. She is a stiff, awkward
village person, and I don’t believe she’s amiable or intelligent; and to
let a graceful, refined, superior man like Mr. Kendricks throw away his
time upon her would be wicked, simply wicked. Let those people manage
for themselves from this out. Of course you mustn’t get them rooms at
the Grand Union now, for he’d be seeing us there with them, and feel
bound to pay her attention. You must try for them at the States, since
the matter’s been spoken of, or at Congress Hall. But there’s no hurry.
We must have time to think whether we shall use Mr. Kendricks with them.
I suppose it will do no harm to introduce him. If he stays we can’t very
well avoid it; and I confess I should like to see how she impresses him!
Of course we shall introduce him! But I insist I shall just do it merely
as one human being to another; and don’t you come in with any of your
romantic nonsense, Basil, about her social disappointment. Just how much
did you give the situation away?”
I told as well as I could remember. “Well, that’s nothing. He’ll never
think of it, and you mustn’t hint anything of the kind again.”
I promised devoutly, and she went on—
“It wouldn’t be nice—it wouldn’t be delicate to let him into the
conspiracy. That must be entirely our affair, don’t you see? And I
don’t want you to take a single step without me. I don’t want you even
to discuss her with him. Will you? Because that will tempt you
further.”
That afternoon Kendricks came promptly to call, like the little gentleman
he was, and he was more satisfactory about Saratoga than he had been in
the morning even. Mrs. March catechised him, and she didn’t leave an
emotion of his unsearched by her vivid sympathy. She ended by saying—
“You must write a story about Saratoga. And I have got just the heroine
for you.”
I started, but she ignored my start.
Kendricks laughed, delighted, and asked, “Is she pretty?”
“Must a heroine be pretty?”
“She had better be. Otherwise she will have to be tremendously clever
and say all sorts of brilliant things, and that puts a great burden on
the author. If you proclaim boldly at the start that she’s a beauty, the
illustrator has got to look after her, and the author has a comparative
sinecure.”
Mrs. March thought a moment, and then she said: “Well, she is a beauty.
I don’t want to make it too hard for you.”
“When shall I see her?” Kendricks demanded, and he feigned an amusing
anxiety.
“Well, that depends upon how you behave, Mr. Kendricks. If you are very,
very good, perhaps I may let you see her this evening. We will take you
to call upon her.”
Public-domain text, read in full here on John Shaqi.
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