Of course there was pretty constant question of Kendricks in the management of Miss Gage’s amusement, for that was really what our enterprise resolved itself into. He showed from the first the sweetest disposition to forward all our plans in regard to her, and, in fact, he even anticipated our wishes. I do not mean to give the notion that he behaved from an interested motive in going to the station the morning Mrs. Deering left, and getting her ticket for her, and checking her baggage, and posting her in the changes she would have to make. This was something I ought to have thought of myself, but I did not think of it, and I am willing that he should have all the credit. I know that he did it out of the lovely generosity of nature which always took me in him. Miss Gage was there with her, and she remained to be consoled after Mrs. Deering departed. They came straight to us from the train, and then, when he had consigned Miss Gage to Mrs. March’s care, he offered to go and see that her things were transferred from her hotel to ours; they were all ready, she said, and the bill was paid. He did not come back that day, and, in fact, he delicately waited for some sign from us that his help was wanted. But when he did come he had formulated Saratoga very completely, and had a better conception of doing it than I had, after my repeated sojourns. We went very early in our explorations to the House of Pansa, which you find in very much better repair at Saratoga than you do at Pompeii, and we contrived to pass a whole afternoon there. My wife and I had been there before more than once; but it always pleasantly recalled our wander-years, when we first met in Europe, and we suffered round after those young things with a patience which I hope will not be forgotten at the day of judgment. When we came to a seat we sat down, and let them go off by themselves; but my recollection is that there is not much furniture in the House of Pansa that you can sit down on, and for the most part we all kept together. Kendricks and I thought alike about the Pompeian house as a model of something that might be done in the way of a seaside cottage in our own country, and we talked up a little paper that might be done for _Every Other Week_, with pretty architectural drawings, giving an account of our imaginary realisation of the notion. “Have somebody,” he said, “visit people who had been boring him to come down, or up, or out, and see them, and find them in a Pompeian house, with the sea in front and a blue-green grove of low pines behind. Might have a thread of story, but mostly talk about how they came to do it, and how delightfully livable they found it. You could work it up with some architect, who would help you to ‘keep off the grass’ in the way of technical blunders. With all this tendency to the classic in public architecture, I don’t see why the Pompeian villa shouldn’t be the next word for summer cottages.”