An Open-Eyed Conspiracy; An Idyl of SaratogaHowells, William Dean
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An Open-Eyed Conspiracy; An Idyl of Saratoga
Howells, William Dean
New York (State) -- Fiction; Saratoga (N.Y.) -- Fiction; Saratoga Springs (N.Y.) -- Fiction
Miss Gage said she had never heard of such a thing before, but she could
see how much better it was.
I do not think she got on with the Last Days of Pompeii very rapidly; its
immediate interest was superseded by other things. But she always had
the book about with her, and I fancied that she tried to read it in those
moments of relaxation from our pleasuring when she might better have been
day-dreaming, though I dare say she did enough of that too.
What amused me in the affair was the celerity with which it took itself
out of our hands. In an incredibly short time we had no longer the
trouble of thinking what we should do for Miss Gage; that was provided
for by the forethought of Kendricks, and our concern was how each could
make the other go with the young people on their excursions and
expeditions. We had seen and done all the things that they were doing,
and it presently bored us to chaperon them. After a good deal of talking
we arrived at a rough division of duty, and I went with them walking and
eating and drinking, and for anything involving late hours, and Mrs.
March presided at such things as carriage exercise, concerts, and
shopping.
There are not many public entertainments at Saratoga, except such as the
hotels supply; but a series of Salvation Army meetings did duty as
amusements, and there was one theatrical performance—a performance of
_East Lynne_ entirely by people of colour. The sentiments and incidents
of the heart-breaking melodrama, as the coloured mind interpreted them,
were of very curious effect. It was as if the version were dyed with the
same pigment that darkened the players’ skins: it all came out negro.
Yet they had tried to make it white; I could perceive how they aimed not
at the imitation of our nature, but at the imitation of our convention;
it was like the play of children in that. I should have said that
nothing could be more false than the motives and emotions of the drama as
the author imagined them, but I had to own that their rendition by these
sincere souls was yet more artificial. There was nothing traditional,
nothing archaic, nothing autochthonic in their poor art. If the scene
could at any moment have resolved myself into a walk-round, with an
interspersion of spirituals, it would have had the charm of these; it
would have consoled and edified; but as it was I have seldom been so
bored. I began to make some sad reflections, as that our American
society, in its endeavour for the effect of European society, was of no
truer ideal than these coloured comedians, and I accused myself of a
final absurdity in having come there with these young people, who,
according to our good native usage, could have come perfectly well
without me. At the end of the first act I broke into their talk with my
conclusion that we must not count the histrionic talent among the gifts
of the African race just yet. We could concede them music, I supposed,
Public-domain text, read in full here on John Shaqi.
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