An open verdict : $b a novel, volume 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
An open verdict : $b a novel, volume 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
THE Sunday evening service at Little Yafford parish church was as
fashionable in its own particular way as an Italian opera in June.
Everybody met everybody else there. The psalms were chanted very
fairly, the anthem was always a feature, the prettiest hymns were sung,
and the sermon, whether preached by the vicar or curate, seemed to
have a peculiar life and fervour in it that harmonized with the more
exalted feelings of the flock. The cold realism of Sunday morning gave
place on Sunday evening to a vague enthusiasm, a spiritualized ardour.
Of course there were people for whom that lofty liturgy soared too
high--uncultured souls which demanded to be fed on coarser diet,--but
these were outside the pale, and generally wore a style of bonnet which
would have been a blot on the subdued beauty of the parish church, with
its noble nave, long narrow aisles, carved rood screen, and waggon
roof. These barbarians worshipped in a queer little chapel in High
Street, to which they descended a step or two from the level of the
pavement, and in which tabernacle they might be heard singing their own
particular hymns with the utmost strength of their untrained voices, as
the Church of England people went by, the Dissenters assembling half an
hour earlier than their conforming brethren, and generally prolonging
their service half an hour later.
It was a pretty scene, that parish church of Little Yafford, in the
late October evening. The clusters of wax candles in the brazen
branches threw just enough light on column and arch to leave the
greater part of the building in shadow. The rich colouring about the
altar made a glow of splendour at the end of the gray stone chancel.
The old oak pews, with their quaintly carved doors, reflected the light
redly on bosses that took every shape, from the graceful _fleur-de-lys_
to the dog-faced demon or blunt-nosed cherub. The font in its distant
corner gleamed whitely below a cover of crimson cloth. Crimson cushions
in many of the pews, and the dark green and gold adornment of pulpit
and reading desk, the old brass lectern, the new brass candelabra,
brightened the sombre stone and dark brown oak, and made up in some
wise for the loss of the stained glories of the chancel window, dull
and dead at this hour.
Public-domain text, read in full here on John Shaqi.
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