An open verdict : $b a novel, volume 1 (of 3)Braddon, M. E. (Mary Elizabeth)
General
An open verdict : $b a novel, volume 1 (of 3)
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
But after Mr. and Mrs. Harefield had been living at the Water House
three months, the slightest allusion to one of these once favourite
scandals would have been about as great a solecism as any one in Little
Yafford could be guilty of. The ancient slanders were sunk in the Red
Sea of oblivion. Those who had been most active in disseminating these
rumours forgot all about them--could not have taxed their memory with
the slightest detail, would have looked quite puzzled if any underbred
intruder in polite society had questioned them on the subject, or
recalled former assertions. There was a dignity about Christian
Harefield, a subdued elegance about his lovely wife, which made such
stories as Little Yafford had formerly believed in obviously and
distinctly impossible. _He_ marry a ballet-girl dancer, the proudest
of men! _She_ sell penny bunches of violets, the most aristocratic of
women! All the best people of Little Yafford visited the Water House,
and swore by Mrs. Harefield.
She was not a woman to make her influence widely felt even in that
quiet circle. Beauty and elegance were her chief gifts. She was
passionately fond of music--played exquisitely, in a style which was
poetic rather than brilliant--sang sweetly--but not with the power
of voice or splendour of execution which would have justified the
story of her having been a prima donna. She had graceful manners, and
distinction of bearing; but the leading spirits in Little Yafford--Mrs.
Dulcimer, Lady Jane Gowry, and an old Mrs. Dunraven--decided that she
had not much mind.
‘She can only look lovely, my dear, and curtsey in that foreign way
of hers, which reminds me of my young days, when ladies behaved like
ladies, and good manners had not begun to get obsolete,’ said Lady Jane
to her dear Mrs. Dulcimer. ‘She can only look elegant, and sit at her
piano, and suffer us to admire her, just as we should if she were the
Venus de Milo in the Louvre. I don’t think she has much more feeling or
passion than that one-armed statue; but she is quite as lovely, and I
suppose that is enough for Mr. Harefield.’
Public-domain text, read in full here on John Shaqi.
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