An Oregon Girl: A Tale of American Life in the New WestRice, Alfred Ernest
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An Oregon Girl: A Tale of American Life in the New West
Rice, Alfred Ernest
Oregon -- Fiction; Western stories; Women pioneers -- Fiction
Perhaps if she had not been so absorbed in the recovery of Dorothy,
her attention would have been arrested on perusing one of the daily
papers by an ambiguous paragraph referring to a choice morsel of
scandal on the "tapis" in a prominent family, and which was likely to
terminate in a tragedy. It was a society paragraph separate from the
report of the probable drowning of the child, Dorothy Thorpe. Several
personal acquaintances had become aware, through the crafty Rutley, of
a serious difference having arisen between John Thorpe and his
beautiful wife, and some of these personal acquaintances, with
significant looks, at once connected it with the mysterious
disappearance of the child.
The fact that none of the fashionable set had visited her since the
reception did not suggest a thought of being shunned. And so she
waited for news of her child--waited with heart leaden with the chill
of hope deferred--waited in momentary expectation of the home-coming of
John.
She watched for him through the window, foreshadowing by his
appearance on the walk gladness or sorrow.
"It is now the second day," she muttered, "since that eventful night,
and yet no relief from this awful suspense. No word to cheer, or lead
me to hope that Dorothy lives."
"It is no use grieving so much, Constance," broke in Hazel, who had
just entered the room. "Dorothy may be safe with her father,
somewhere. Try, dear, to think so, anyway. It is much the best."
"I cannot put away that winsome face from my mind, Hazel. Something
tells me that I shall see her no more," and tears came into her eyes,
despite her efforts to restrain them.
"There, yees be at it again, sure mam, yees do be makin' us all feel
miserable."
It was Smith who spoke, in a soft, appealing voice, full of sympathy
and tenderness, the common heritage of his race. He had entered the
room by the parlor door, and stood with his hat in his hand--a short,
thick-set man, with a full, smooth-shaven, ruddy face, strong in its
lines of "true to a trust." His thin hair was tinged with gray. He
wore a black frock coat that had seen considerable wear; in fact, that
style of a coat was worn by him for the double purpose of partly
concealing the "humiliating" curves of his short bent legs, and also
the dignity he fancied it lent to his stature. He had been the family
coachman for some years, and was familiarly called "Smith."
As Constance turned to him, he continued with a look suggestive of
tearful sympathy.
"Will yees try to forget the trouble, and be the token av it, may it
plaise ye mam, just wipe away that tear, do, dear."
"You have always been a good soul, Smith," and Constance tried to
smile through her tears.
"Of course, but we are anxious to know the result of your search,"
remarked Hazel.
He was silent for a moment, and nervously commenced to fidget with his
hat.
Public-domain text, read in full here on John Shaqi.
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