An Outcast; Or, Virtue and FaithAdams, F. Colburn (Francis Colburn)
General
An Outcast; Or, Virtue and Faith
Adams, F. Colburn (Francis Colburn)
Conduct of life -- Fiction; United States -- Social life and customs -- 19th century -- Fiction; Vice -- Fiction
The clock of old Saint Michaels, a clock so tenacious of its dignity as
to go only when it pleases, and so aristocratic in its habits as not to
go at all in rainy weather;--a clock held in great esteem by the "very
first families," has just struck eleven. The young, pale-faced
missionary inquiringly hesitates before a small, two-story building of
wood, located on the upper side of Church street, and so crabbed in
appearance that you might, without endangering your reputation, have
sworn it had incorporated in its framework a portion of that chronic
disease for which the State has gained for itself an unenviable
reputation. Jutting out of the black, moss-vegetating roof, is an
old-maidish looking window, with a dowdy white curtain spitefully tucked
up at the side. The mischievous young negroes have pecked half the
bricks out of the foundation, and with them made curious grottoes on the
pavement. Disordered and unpainted clapboards spread over the dingy
front, which is set off with two upper and two lower windows, all
blockaded with infirm, green shutters. Then there is a snuffy door,
high and narrow (like the State's notions), and reached by six venerable
steps and a stoop, carefully guarded with a pine hand-rail, fashionably
painted in blue, and looking as dainty as the State's white glove. This,
reader, is the abode of the testy but extremely dignified Mrs. Swiggs.
If you would know how much dignity can be crowded into the smallest
space, you have only to look in here and be told (she closely patterns
after the State in all things!) that fifty-five summers of her crispy
life have been spent here, reading Milton's Paradise Lost and
contemplating the greatness of her departed family.
The old steps creak and complain as the young man ascends them, holding
nervously on at the blue hand-rail, and reaching in due time the stoop,
the strength of which he successively tests with his right foot, and
stands contemplating the snuffy door. A knocker painted in villanous
green--a lion-headed knocker, of grave deportment, looking as savage as
lion can well do in this chivalrous atmosphere, looks admonitiously at
him. "Well!" he sighs as he raises it, "there's no knowing what sort of
a reception I may get." He has raised the monster's head and given three
gentle taps. Suddenly a frisking and whispering, shutting of doors and
tripping of feet, is heard within; and after a lapse of several minutes
the door swings carefully open, and the dilapidated figure of an old
negro woman, lean, shrunken, and black as Egyptian darkness--with
serious face and hanging lip, the picture of piety and starvation,
gruffly asks who he is and what he wants?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account