Hungary -- History -- Revolution, 1918-1919 -- Personal narratives; Tormay, Cécile, 1876-1937 -- Diaries
Traitors and _sans-patries_ have torn St. Stephen’s crown from its
place with sacrilegious hands. That crown was not only a King’s
head-dress. Like a golden hoop it welded together the giant range of
the Carpathians, Transylvania, the blue gulf of Adria, Croatia and
Slavonia—the whole realm of the Great Plain, the country which formed
the most perfect geographical unit in Europe. And now that the golden
hoop holds it together no longer, that which has been united since the
beginning of time falls to pieces and to ruins.
I was gripped by a maddening fear and began to tremble with apprehension
for the crown, as if it were something more living than life itself. I
felt that we only existed as long as it existed, that its destruction
would make our destruction inevitable. What do they plot, these present
despots of ours, who hate everything that connects us with our past? It
is not Károlyi who will stop them: as far as he is concerned they can do
what they like with the crown.
A few days ago Count Ambrózy, the Keeper of the Crown Jewels, went to
Michael Károlyi’s house and asked for admittance. Károlyi was lunching
with Count Pejacsevich when the butler announced that the Keeper of the
Crown Jewels was waiting.
“Let him wait,” said Károlyi. “I am lunching,” and continued his meal
undisturbed. After a time he was told again that Count Ambrózy wanted to
see him urgently, as he had to leave town. Károlyi, to whom Kéri, Jászi
and Pogány are admitted at all hours, sent a message to the first grandee
of Hungary, to wait. He lit his cigar and sipped his coffee. About half
an hour later the Keeper of the Crown Jewels sent another message.
“If he cannot wait, let him go,” said Károlyi. Count Pejacsevich implored
him. At last he gave in. “All right, I’ll settle with him in two minutes.”
He went out, cigar in mouth, and two minutes later was back again.
“Settled,” he said laughing. “Ambrózy came to ask me what should be
done with the crown. I told him: take it to a bank, or put it into your
pocket, I don’t care....”
[Illustration: ST. STEPHEN’S CROWN (THE HOLY HUNGARIAN CROWN).
(_To face p. 162._)]
And I seemed to see again the mystic dusk of the Coronation Church,
its pillars and arches, and there in front of the altar, set on purple
velvet, the pale gold of the Crown.... I see the gray head of an aged
peasant whose sharp Turanian features seem as if cut out with a chisel
from the gloom of the church; the head bows, and his horny hand makes
the sign of the cross on his breast.
* * * * *
_November 25th._
My mother brought a porcelain figure into the room to-day. “It is
broken,” she said, and put the Sévres shepherd and his tiny broken hand
on the table. Its beauty filled me for a moment with extraordinary
rapture: doubtless it appeared so lovely to me because nowadays
everything we see is so very ugly and depressing.
Public-domain text, read in full here on John Shaqi.
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