Hungary -- History -- Revolution, 1918-1919 -- Personal narratives; Tormay, Cécile, 1876-1937 -- Diaries
_January 13th._
I have been working the whole day long, at work that is new to me. In the
office of our Association I have been racking my brain with details of
organisation. I drew up handbills and wrote innumerable letters, though
I hate writing letters. In the evening we met in the Zichy palace and
decided that in any event we would prepare a memorandum of protest on the
part of the women, so that it should be ready when the missions of the
Entente arrived. Count Klebelsberg brought forward a draft, ready for
translation into foreign languages.... Time passed, and we started home.
Nowadays it is rare to get a cab, and if one happens to meet one one
may well say one’s prayers before entering it. During the last spell
of darkness a soldier climbed on to the box of a cab in which were two
ladies. He and the driver were accomplices. The horses were whipped up
and the cab was driven at a mad gallop through lonely suburban streets,
towards the cemetery. Fortunately the ladies jumped out, and so escaped;
but goodness knows how that night would have ended for them if they had
not.
Countess Zichy sent me home in her own carriage. Klebelsberg got out in
the Inner town and I drove on alone. When we reached the Rákoczi Road all
the street lamps were suddenly extinguished. The dark street gaped and
swallowed us up.
There was shooting everywhere, and the horses became restless. I could
feel that the coachman was frightened: indeed the night seemed full of
terror. We arrived at a gallop at my house, and I saw that my mother’s
window was open. Regardless of the cold she was sitting at it waiting
for me, and now called down to the coachman: “There is a riot near the
Popular Theatre, don’t go in that direction.”
The man thanked her for the warning, and the clatter of hoofs died away
in the opposite direction, turning so suddenly that it seemed the very
horses were aware of the danger.
* * * * *
_January 14th._
Our destiny has been decided for us in secret, in whispers within the
walls of Pest. And the houses where this whispering has been going on
have paid the penalty: their grimy fronts are branded with the mark of
the beast. The very customs and manners of the times are designed for the
masses, and obtrude themselves like prostitutes in the street. Modesty
and discretion no longer exist. It is probably for the same reason that
the world of art and letters now produces only works meant for the
masses. Epochs are known by their arts. Our age has posters—and viler,
baser posters than those of to-day, whether on paper or in the shape of
men, have never existed.
Public-domain text, read in full here on John Shaqi.
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