Hungary -- History -- Revolution, 1918-1919 -- Personal narratives; Tormay, Cécile, 1876-1937 -- Diaries
The tiny Marquis de Saxe held up his white bewigged head; there was my
great-grandfather’s snuff box, which could play a tinkling little tune;
the Empire lamp in pseudo-Greek style, and a long-necked scent bottle,
which to this very day contained the ghost of a perfume of long ago.
There was the old Parisian card-case in the silky glory of the Second
Empire, the century-old miniature writing-table of mother-of-pearl and
the bucket of the same material with a tiny landscape painted on it. In
a separate paper were souvenirs of dinners at Francis Joseph’s court:
petrified sweets, with Queen Elizabeth and her fan stuck on them, the old
King when he was still young, Archduke Rudolph with Stephanie’s fair head
at his side. Among other things there was a little carriage, standing on
a silken cushion and containing golden flagons and bunches of grapes.
Next I found the gold filigree butterfly. Then there came a little
porcelain group of marvellous beauty: on a little toilet-table sat a tiny
monkey who was looking into the looking-glass; behind him stood a group
of laughing rococo ladies, and their whispering heads were reflected in
the mirror too.
Suddenly I instinctively put my hands behind my back.
“Do you remember, mother? We always had to put our hands behind our backs
when we looked at this.” We began to laugh, both of us, and at that
moment there was nothing else in this whole wide world that mattered.
And through the open white doors I saw myself, a mischievous fair child,
on tip-toe, looking up with religious awe, and I saw my beautiful young
mother, with the porcelain monkey-group in her hand.
“Do you remember?...” And memory kindly took us back to happy, quiet
times. My mother said: “I brought this from Paris in ’61, this was
given me by my mother, the pair of this one was bought by the Empress
Eugénie....” At the bottom of the box there was a little packet. And
there, at the very end I found again my forgotten love: a lady in a
yellow dress, my favourite bit of china. But I was disappointed with
it now. It had no mark and its origin was unknown. It was curious that
in childhood’s days she seemed to have been much more beautiful in her
yellow, china crinoline. She stood on the spread edges of her crinoline
and for that reason she had no need of feet. Her hair was brown and her
waist ridiculously slender.
While I was looking at her, steps resounded in the quiet street and
stopped in front of the house. Then the front door bell rang. That sound
dispersed all the magic that had surrounded us. The picture of childhood
fell in ruins and the folding doors of the old house shut one after the
other.
Public-domain text, read in full here on John Shaqi.
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