Communism -- Hungary; Hungary -- History -- Revolution, 1918-1919 -- Personal narratives; Tormay, Cécile, 1876-1937 -- Diaries
Now the road goes up a hill, the wheels crunch on fine gravel, a gate
opens between the trees, and a sudden light flares up in the night. We
have reached the Kállays’ turretted castle.
In a few minutes we are all sitting together in a well heated room. A
wide garden surrounds the house, the night surrounds the garden. And the
world is far away, somewhere beyond.
* * * * *
Berczel. _March 27th, 1919._
Days have passed since my arrival, yet I do not think that I shall ever
forget the first morning when I awoke here. I seemed to be floating in a
pure ocean of absolute silence. Then, quite suddenly and unexpectedly, a
small voice fell from above into the ocean of silence. After the
threatening hum of the revolution in the city, the wild howling, the
panting hatred and the ominous nightly tramplings, there was such beauty
in this voice that I remember being enraptured in the semi-consciousness
of waking.
A small bird was sitting on a twig before my window. Instead of the
abyss of human infernos, of narrow streets and worn dark walls, my eyes
lighted on a twig and a bird, and I wept out of sheer gratitude that
such things still existed. I should have liked to gather in my hands
every tiny particle of the sound so that I might send it to those who
remained prisoners among the stones of that accursed city.
[Illustration:
GEORGE NYISTOR.
LABOURER. ASSISTANT COMMISSARY FOR AGRICULTURE.
]
How different is life here! It is like a fairy-tale related to soothe
children at bed-time.... It is a quiet village. On the hillock can be
seen the bell tower and the shingled roof of the church. Below, at its
foot, are small cottages and small farmyards. People go to bed early in
the evening: only now and then is a window lit up. The cow bells ring, a
dog barks somewhere. And horror does not creep through the night, worry
does not sit on the threshold of the morn, threatening the dread shadow
of events to come. To-day is like yesterday and to-morrow bears no
different aspect. Sometimes I fear that conscience has died of
exhaustion within me. A clouded glass screen has risen between me and
the world. Even the village seems to be beyond the screen and there is
nothing on this side of it but a castle, a wide park, and narrow,
useless little paths on which the past treads undisturbed. These are set
with white seats which have not been provided for fatigue. Beds of
flowers which only exist in order to be beautiful, dark violets, without
a purpose but just to flower.
Public-domain text, read in full here on John Shaqi.
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