An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
History
An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
Wit and humor
But then the mode of paying it is playful and ironical, and
contradicts itself in the very act of making its own performance
an humble foil to another’s. Wit hovers round the borders of
the light and trifling, whether in matters of pleasure or pain;
for as soon as it describes the serious seriously, it ceases
to be wit, and passes into a different form. Wit is, in fact,
the eloquence of indifference, or an ingenious and striking
exposition of those evanescent and glancing impressions of
objects which affect us more from surprise or contrast to the
train of our ordinary and literal preconceptions, than from
anything in the objects themselves exciting our necessary
sympathy or lasting hatred.
“That wit is the most refined and effectual, which is founded on
the detection of unexpected likeness or distinction in things,
rather than in words.
“Wit is, in fact, a voluntary act of the mind, or exercise of
the invention, showing the absurd and ludicrous consciously,
whether in ourselves or another. Cross-readings, where the
blunders are designed, are wit; but if any one were to light
upon them through ignorance or accident, they would be merely
ludicrous.
“Lastly, there is a wit of sense and observation, which consists
in the acute illustration of good sense and practical wisdom by
means of some far-fetched conceit or quaint imagery. The matter
is sense, but the form is wit. Thus the lines in Pope--
“’Tis with our judgments as our watches, none Go just alike; yet
each believes his own--’
are witty rather than poetical; because the truth they convey
is a mere dry observation on human life, without elevation or
enthusiasm, and the illustration of it is of that quaint and
familiar kind that is merely curious and fanciful.”
Thus Hazlitt: yet it is not necessary to be so verbose in the matter of
discriminating wit from humor.
They are intrinsically different though often outwardly alike.
Wit is intensive or incisive, while humor is expansive. Wit is rapid,
humor is slow. Wit is sharp, humor is gentle. Wit is intentional, humor
is fortuitous.
But to my mind the great difference lies in the fact that wit is
subjective while humor is objective.
Wit is the invention of the mind of its creator; humor lies in the
object that he observes. Wit originates in one’s self, humor outside
one’s self.
Again, wit is art, humor is nature. Wit is creative fancy, more or
less educated and skilled. Humor is found in a simple object, and is
unintentional.
Yet in these, as in all definitions, we must stretch a point when
necessary; we must make allowances for viewpoints and opinions, and we
must agree that the question is not one that may be answered by the
card.
Nor is it necessary in the present undertaking.
Public-domain text, read in full here on John Shaqi.
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