An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
History
An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
Wit and humor
_Rosalind._ With a priest that lacks Latin, and a rich man that
hath not the gout; for the one sleeps easily, because he cannot study;
and the other lives merrily, because he feels no pain: the one lacking
the burden of lean and wasteful learning; the other knowing no burden
of heavy, tedious penury. These Time ambles withal.
_Orlando._ Who doth he gallop withal?
_Rosalind._ With a thief to the gallows; for though he go as
softly as foot can fall, he thinks himself too soon there.
_Orlando._ Who stays it still withal?
_Rosalind._ With lawyers in the vacation; for they sleep between
term and term, and then they perceive not how Time moves.
_Orlando._ Where dwell you, pretty youth?
_Rosalind._ Here in the skirts of the forest, like fringe upon a
petticoat.
_Orlando._ Are you native of this place?
_Rosalind._ As the cony, that you see dwell where she is kindled.
_Orlando._ Your accent is something finer than you could purchase
in so removed a dwelling.
_Rosalind._ I have been told of so many: but, indeed, an old
religious uncle of mine taught me to speak, who was in his youth an
inland man; one that knew courtship too well, for there he fell in
love. I have heard him read many lectures against it; and I thank God
I am not a woman, to be touched with so many giddy offences as he hath
generally taxed their whole sex withal.
_Orlando._ Can you remember any of the principal evils that he
laid to the charge of women?
_Rosalind._ There were none principal: they were all like one
another, as half-pence are; every one fault seeming monstrous, till its
fellow fault came to match it.
_Orlando._ I prithee, recount some of them.
_Rosalind._ No; I will not cast away my physic but on those that
are sick. There is a man haunts the forest, that abuses our young
plants with carving Rosalind on their barks; hangs odes upon hawthorns,
and elegies on brambles; all, forsooth, deifying the name of Rosalind:
if I could meet that fancy-monger I would give him some good counsel,
for he seems to have the quotidian of love upon him.
_Orlando._ I am he that is so love-shaked. I pray you, tell me
your remedy.
_Rosalind._ There is none of my uncle’s marks upon you: he taught
me how to know a man in love; in which cage of rushes, I am sure, you
are not prisoner.
_Orlando._ What were his marks?
_Rosalind._ A lean cheek, which you have not; a blue eye, and
sunken, which you have not; an unquestionable spirit, which you have
not; a beard neglected, which you have not (but I pardon you for that,
for, simply, your having in beard is a younger brother’s revenue.
Then, your hose shall be ungartered, your bonnet unbanded, your sleeve
unbuttoned, your shoe untied, and everything about you demonstrating
a careless desolation. But you are no such man; you are rather
point-device in your accoutrements, as loving yourself, than seeming
the lover of any other.
_Orlando._ Fair youth, I would I could make thee believe I love.
Public-domain text, read in full here on John Shaqi.
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