An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century — John Shaqi
An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
History
An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
Wit and humor
Yet Foreign Literatures cannot be adequately treated in an Outline
printed in English. Translations are at best misleading. If the
translation is a poor one, the pith and moment of the original is
partly, or wholly lost. And if the translation be of great merit, the
work may show the merit of the new rendition rather than the original.
And aside from all that, few translations of Humor are to be found.
The translators of foreign tongues choose first the philosophy, the
fiction or the serious poetry of the other nations, leaving the humor,
if any there be, to hang unplucked on the tree of knowledge.
So the foreign material is scant, but the high spots are touched as far
as could be found convenient.
The Outline stops at the year 1900. Humor since then is too close to be
viewed in proper perspective.
But the present Outliner mainly hopes to show how, with steady
footstep, from the Caveman to the current comics Humor has followed the
Flag.
C. W.
NEW YORK,
_April, 1923_.
ACKNOWLEDGMENTS
All rights on poems and prose in this volume are reserved by the
authorized publisher, the author, or the holder of copyright, with whom
special arrangements have been made for including such material in this
work. The editor expresses thanks for such permission as indicated
below.
D. APPLETON & COMPANY: For “To a Mosquito” by William Cullen Bryant;
“Tushmaker’s Tooth-Puller” by G. H. Derby; and for “The Sad End of Brer
Wolf” by Joel C. Harris, from _Uncle Remus, His Songs and His Sayings_.
THE CENTURY CO.: For an extract from the “Chimmie Fadden” stories; and
for the poem “What’s in a Name?” by R. K. Munkittrick.
DAVID MCKAY COMPANY: For “Ballad of the Noble Ritter Hugo” by Charles
G. Leland.
DODD, MEAD AND COMPANY: For “At the Sign of the Cock” by Owen Seaman;
“Here Is the Tale” by Anthony C. Deane; and “On a Fan” and “The
Rondeau” by Austin Dobson.
FORBES & COMPANY: For “If I Should Die To-Night” and “The Pessimist” by
Ben King.
HARPER & BROTHERS: For “Elegy” and “Mavrone” by Arthur Guiterman. With
the permission of the Estate of Samuel L. Clemens, the Mark Twain
Company, and Harper & Brothers, publishers, with a full reservation of
all copyright privileges is included an extract from the “Jumping Frog”
by Mark Twain.
HURST & COMPANY: For an extract from “Bill Nye.”
HOUGHTON MIFFLIN COMPANY: With their permission and by special
arrangement with them as authorized publishers of the following
authors’ works, are used selections from: Charles E. Carryl, Guy
Wetmore Carryl, Ralph Waldo Emerson, James T. Fields, Bret Harte, John
Hay, Oliver Wendell Holmes, James Russell Lowell, John G. Saxe, E. R.
Sill, Bayard Taylor.
LITTLE, BROWN & COMPANY: For five limericks and “The Two Old Bachelors”
from _Nonsense Books_.
Public-domain text, read in full here on John Shaqi.
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