An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century — John Shaqi
An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
History
An outline of humor: Being a true chronicle from prehistoric ages to the twentieth century
Wit and humor
“It may be demanded,” says he, “what the thing we speak of is,
and what this facetiousness doth import; to which question I
might reply, as Democritus did to him that asked the definition
of a man--_’Tis that which we all see and know!_ and one better
apprehends what it is by acquaintance, than I can inform him by
description. It is indeed a thing so versatile and multiform,
appearing in so many shapes, so many postures, so many garbs,
so variously apprehended by several eyes and judgments, that
it seemeth no less hard to settle a clear and certain notice
thereof, than to make a portrait of Proteus, or to define the
figure of fleeting air. Sometimes it lieth in pat allusion to a
known story, or in seasonable application of a trivial saying,
or in forging an apposite tale; sometimes it playeth in words
and phrases, taking advantage from the ambiguity of their sense,
or the affinity of their sound; sometimes it is wrapped in a
dress of luminous expression; sometimes it lurketh under an
odd similitude. Sometimes it is lodged in a sly question; in
a smart answer; in a quirkish reason; in a shrewd intimation;
in cunningly diverting or cleverly restoring an objection;
sometimes it is couched in a bold scheme of speech; in a tart
irony; in a lusty hyperbole; in a startling metaphor; in a
plausible reconciling of contradictions; or in acute nonsense.
Sometimes a scenical representation of persons or things, a
counterfeit speech, a mimical look or gesture, passeth for it.
Sometimes an affected simplicity, sometimes a presumptuous
bluntness, gives it being. Sometimes it riseth only from a
lucky hitting upon what is strange; sometimes from a crafty
wresting obvious matter to the purpose. Often it consisteth in
one knows not what, and springeth up one can hardly tell how.
Its ways are unaccountable and inexplicable, being answerable
to the numberless rovings of fancy and windings of language. It
is, in short, a manner of speaking out of the simple and plain
way (such as reason teacheth and knoweth things by), which
by a pretty surprising uncouthness in conceit or expression
doth affect and amuse the fancy, showing in it some wonder,
and breathing some delight thereto. It raiseth admiration, as
signifying a nimble sagacity of apprehension, a special felicity
of invention, a vivacity of spirit, and reach of wit more than
vulgar; it seeming to argue a rare quickness of parts, that
one can fetch in remote conceits applicable; a notable skill
that he can dexterously accommodate them to a purpose before
him; together with a lively briskness of humour not apt to damp
those sportful flashes of imagination. Whence in Aristotle such
persons are termed επιδéξιοι, dexterous men, and ευτροποι, men
of facile and versatile manners, who can easily turn themselves
to all things, or turn all things to themselves. It also
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