The poems which he wrote at school afterwards formed part of his collected works. In these poems, consisting for the greater part of anacreontics and epistles, although they are immature, and imitative, partly of contemporary authors such as Derzhavin and Zhukovsky, and partly of the French anacreontic school of poets, such as Voltaire, Gresset and Parny, the sound of a new voice was unmistakable. Indeed, not only his contemporaries, but the foremost representatives of the Russian literature of that day, Derzhavin, Karamzin and Zhukovsky, made no mistake about it. They greeted the first notes of this new lyre with enthusiasm. Zhukovsky used to visit the boy poet at school and read out his verse to him. Derzhavin was enthusiastic over the recitation of his _Recollections of Tsarskoe Selo_. Thus fame came to Pushkin as easily as the gift of writing verse. He had lisped in numbers, and as soon as he began to speak in them, his contemporaries immediately recognized and hailed the new voice. He did not wake up and find himself famous like Byron, but he walked into the Hall of Fame as naturally as a young heir steps into his lawful inheritance. If we compare Pushkin's school-boy poetry with Byron's _Hours of Idleness_, it is easy to understand how this came about. In the _Hours of Idleness_ there is, perhaps, only one poem which would hold out hopes of serious promise; and the most discerning critics would have been justified in being careful before venturing to stake any great hopes on so slender a hint. But in Pushkin's early verse, although the subject-matter is borrowed, and the style is still irregular and careless, it is none the less obvious that it flows from the pen of the author without effort or strain; and besides this, certain coins of genuine poetry ring out, bearing the image and superscription of a new mint, the mint of Pushkin. When the first of his poems to attract the attention of a larger audience, _Ruslan and Ludmila_, was published, in 1820, it was greeted with enthusiasm by the public; but it had already won the suffrages of that circle which counted most, that is to say, the leading men of letters of the day, who had heard it read out in MSS. For as soon as Pushkin left school and stepped into the world, he was received into the literary circle of the day on equal terms. After he had read aloud the first cantos of _Ruslan and Ludmila_ at Zhukovsky's literary evenings, Zhukovsky gave him his portrait with this inscription: "To the pupil, from his defeated master"; and BATYUSHKOV, a poet who, after having been influenced, like Pushkin, by Voltaire and Parny, had gone back to the classics, Horace and Tibullus, and had introduced the classic anacreontic school of poetry into Russia, was astonished to find a young man of the world outplaying him without any trouble on the same lyre, and exclaimed, "Oh! how well the rascal has started writing!"