The bedroom was sweet and fresh; after the manner of such rooms in
country houses, a bowl of roses stood on a table; through the open
window the air blew soft and clean. Grizel looked around with smiling
satisfaction; then dropping her impedimenta on the bed, and wheeling
round with a swift, unexpected movement, she faced her hostess, and
nipped her chin between a thumb and forefinger.
The two faces were close together: for a moment Katrine smiled,
unconcerned and amused, but the honey-coloured eyes stared on, stared
deep, stared with a long, unblinking intentness which brought the colour
rushing to her cheeks. She twitched her head, the small fingers gripped
with unexpected tenacity; she frowned and fumed, but the eyes stared
relentlessly on. Finally she raised both hands and forced herself free.
"Grizel, what _is_ it? Why are you staring? What in the world has
happened?"
"And that, my lamb," returned Grizel calmly, "is just precisely what I
am axing myself!"
She turned her back, and strolled nonchalantly across the rooms.
CHAPTER SIX.
When Grizel sailed down to dinner two hours later, it would have been
difficult to recognise in her the pallid traveller of the afternoon.
She was gorgeously attired in a robe of golden net covered with an
embroidery of the same hue. The golden sheaf clung round her, and
trailed heavily on the ground; encased in it her body appeared of an
incredible slimness, yet from head to foot there was not one angle, not
one harsh, unlovely line. Nymph, elf, fay, she was all rounded curve
and dimple, from satin shoulder to arched and tiny feet. Though one
might marvel that a human being could live in such wand-like form,
_thin_ was a word which could never occur. Grizel was no more thin than
Katrine herself. Her soft, mouse-brown hair was waved loosely back, and
twisted in a fashion which preserved the shape of the head,--a rare and
wonderful sight at a time when nine women out of ten carried a
cushion-like appendage standing out many inches behind the ear. Grizel
was too wise to disguise herself by any such freak of fashion; an artist
would have noted with delight that she invariably respected the natural
"line" of the body. Neck and arms were bare of ornament, her cheeks
were still pale, but with a warm, cream-like tint which had no trace of
ill-health, her honey-coloured eyes reflected the golden lights of her
dress. The scarlet lips made the one contrasting note of colour.
Public-domain text, read in full here on John Shaqi.
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