"You know I did not mean"--he began reproachfully. But seeing Betty's laughing eyes, he added, with a smile:-- "Nay, you shall not tease me into vexing you to-night if I can avoid it; I will strive to train my tongue to please you." The kitchen presented a quaint and most picturesque appearance. It was a low, wide room, and around the wall ran shelves and dressers, on which the pewter plates and copper covers shone with such fine polish that one could almost see in their surfaces as in a mirror. Between those hung bunches of herbs and strings of bright-hued peppers, and in and out on the walls, and above, from the rafters, were Christmas greens, all arranged by the servants themselves, with that unerring eye for grace and color which is an attribute of the colored race. Aunt Dinah, the presiding genius of the kitchen, stood at one end of the room. Her large and portly person was clothed in a gay cotton print of many colors; and upon her head was twisted a bright silk handkerchief, with a most rakish-looking bow which reposed over her left ear. The Verplanck slaves, some twelve of them, were augmented in numbers by those of the Ludlow, De Lancey, and De Peyster families, and half filled the spacious kitchen us they stood back in rows, courtesying and bowing, showing their white teeth in smiles and low laughter, as they recognized some "young massa," or "ole madam" among the gentlemen and dames who smiled back upon their faithful, kindly faces. The dance began with a special contra-dance, in which the performers copied with great exactness the profound bows and deep courtesies of the period, mimicking their masters and mistresses with curious grotesque grace. At the extreme end of the room, near Aunt Dinah, sat the fiddler, wielding his bow with an extra flourish befitting the occasion. Jan Steen was a well-known character, and his coming was looked upon as a special favor, only accorded to the servants because they belonged to the Verplancks, a family greatly honored and beloved among the Dutch settlers of Manhattan Island. After the contra-dance was concluded, amid the applause and laughter of the spectators, four young slaves were singled out from the others, and took their places on the floor. Two of these were girls, pretty mulattoes, and two young, bright-colored negro men as their partners. To rather slow music they went through with a rhythmic dance, in which their figures swayed to and fro, chiefly from the waist, a gliding serpentine dance, evidently copied from the slaves of Martinique, and brought to New York by the French families. And then, to Peter's great delight, came the event of the evening, in his eyes,--the dance of Miranda with her new admirer from Broucklen Heights.