An Unwilling Maid: Being the History of Certain Episodes during the American Revolution in the Early Life of Mistress Betty Yorke, born WolcottLincoln, Jeanie Gould
History
An Unwilling Maid: Being the History of Certain Episodes during the American Revolution in the Early Life of Mistress Betty Yorke, born Wolcott
Lincoln, Jeanie Gould
United States -- History -- Revolution, 1775-1783 -- Fiction
"Miranda is my maid," explained Clarissa to Madam De Lancey and Mrs.
Morris, as they waited for the performers to take their places. "I
fetched her from Connecticut when I was married, and she is, as you see,
very pretty and most graceful. The dance is a species of Spanish dance,
I fancy, for it is done with two scarfs of red and yellow; I purchased
the stuff a year ago from a Dutch peddler, and Miranda begged it of me
last week."
"Cousin Clarissa," said Peter, rushing up, "we will want more light to
enable you to see this; the candles are getting low. With your
permission, may Pompey light the big lantern on the wall?"
About the middle of the kitchen hung a lantern which had once been used
for illuminating purposes outside the mansion. It contained a piece of
tin which acted as a reflector; and Peter, who had never yet had the
pleasure of seeing it lit, had amused himself that very morning by
putting in the candles for which it was prepared, and informed Aunt
Dinah that he meant to light it by way of a climax to the festivities of
Christmas Eve.
"The big lantern?" replied Clarissa; "it has not been lit this three
years."
"I made it ready this morning; oh, do say yes."
"Certainly," said Clarissa, smiling; "but tell Pompey to be careful,
Peter."
Off flew Peter, and up on a bench mounted Pompey, nothing loth to add
dignity to the scene by illuminating it. Jan Steen drew his bow across
his violin with a long, sweet note, and out on the floor glided Miranda,
holding the hand of a tall, athletic-looking young negro, whose motions
were grace itself. They began at the top of the room, holding the scarfs
aloft, and slowly made their way down until they were in the centre,
when the full light gleamed strongly upon their raised arms, their heads
well up. Soft murmurs of applause began to steal around the room. Betty
stood with Captain Yorke and Kitty directly under the lantern, beating
time with her fan.
"How graceful they are," said Yorke softly. "See, even their shadows on
the wall opposite are picturesque and wild. How distinct the faces
are!"
"Silhouettes!" burst in Kitty; "have you seen the pictures made by the
new artist who came from Albany? Some folks like to be done thus, but
for me I do not care for a black profile of my own face. They are cut
skillfully enough in paper, however."
Public-domain text, read in full here on John Shaqi.
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