“Now, madame, if you will allow me the honor of calling to your mind the fact that the Minotaur was of all known beasts that which Mythology distinguishes as the most dangerous; that in order to save themselves from his ravages, the Athenians were bound to deliver to him, every single year, fifty virgins; you will perhaps escape the error of good M. Chompre, who saw in the labyrinth nothing but an English garden; and you will recognize in this ingenious fable a refined allegory, or we may better say a faithful and fearful image of the dangers of marriage. The paintings recently discovered at Herculaneum have served to confirm this opinion. And, as a matter of fact, learned men have for a long time believed, in accordance with the writings of certain authors, that the Minotaur was an animal half-man, half-bull; but the fifth panel of ancient paintings at Herculaneum represents to us this allegorical monster with a body entirely human; and, to take away all vestige of doubt, he lies crushed at the feet of Theseus. Now, my dear madame, why should we not ask Mythology to come and rescue us from that hypocrisy which is gaining ground with us and hinders us from laughing as our fathers laughed? And thus, since in the world a young lady does not very well know how to spread the veil under which an honest woman hides her behavior, in a contingency which our grandfathers would have roughly explained by a single word, you, like a crowd of beautiful but prevaricating ladies, you content yourselves with saying, ‘Ah! yes, she is very amiable, but,’—but what?—‘but she is often very inconsistent—.’ I have for a long time tried to find out the meaning of this last word, and, above all, the figure of rhetoric by which you make it express the opposite of that which it signifies; but all my researches have been in vain. Vert-Vert used the word last, and was unfortunately addressed to the innocent nuns whose infidelities did not in any way infringe the honor of the men. When a woman is _inconsistent_ the husband must be, according to me, _minotaurized_. If the minotaurized man is a fine fellow, if he enjoys a certain esteem,—and many husbands really deserve to be pitied,—then in speaking of him, you say in a pathetic voice, ‘M. A—- is a very estimable man, his wife is exceedingly pretty, but they say he is not happy in his domestic relations.’ Thus, madame, the estimable man who is unhappy in his domestic relations, the man who has an inconsistent wife, or the husband who is minotaurized are simply husbands as they appear in Moliere. Well, then, O goddess of modern taste, do not these expressions seem to you characterized by a transparency chaste enough for anybody?” “Ah! mon Dieu!” she answered, laughing, “if the thing is the same, what does it matter whether it be expressed in two syllables or in a hundred?”