During our school days we made the acquaintance of Larime Hutchinson, then a lad of twenty, shy, self-conscious, pathetically credulous, and hobbled by a prodigious ineptitude which made him a favorite butt for schoolboy jokes and pranks. Larime was in great disfavor with the teachers because he almost never had his lessons. He was also in disfavor with the college treasurer because he did not pay his bills. Larime's father was a country minister and could send him only a few dollars a month. The rest of his financial necessities he was supposed to meet by sawing wood, mowing lawns, attending furnaces, and other such odd jobs. But Larime never could hold these jobs because he was too lazy to do them well. He was also in high disfavor with his schoolmates, first, because of his timidity and self-consciousness; second, because of the strange air of superiority which, paradoxically enough, he managed to affect even in spite of these handicaps. A little confidential consorting with this peculiar young man soon revealed the fact that he yearned to be heralded with great acclaim as "The Poet of the New World." Not only did he yearn; he confidently expected it. Nay, more; he already was "The Poet of the New World," and awaited only the day of his acknowledgment by those who, despite their prejudices and envy, would eventually be compelled to accord him his true position. To prove his claims, Larime read us some of his "poetry." It was bad, very bad, and yet it was not quite bad enough to be good. Such visions of glory as obscured Larime Hutchinson's sensible view of the practical world are, perhaps, common enough in adolescence, and, as a general rule, work no serious harm. There were, however, two fatal defects of character in this case. The first was that Larime continued to dream and to write what he thought was verse, when he ought to have been at work plowing corn, for he had qualities which, with industry, would have made him a successful farmer. Second, he was mentally too lazy for the drudgery even the greatest poet must perform if he is to perfect his technique. A MIND FOCUSSED ON DETAILS The case of Marshall Mears, a young man who consulted us a few years ago with reference to his ambition to become a journalist and author, well illustrates a different phase of this same problem. This young man was of the tall, raw-boned, vigorous, active, energetic, industrious type. There was not a lazy bone in his body. In addition to his energy, he had unusual powers of endurance, so that he could work fifteen, eighteen, or twenty hours a day for weeks at a time without seeming to show any signs of fatigue. He was ambitious for success as a writer. He was willing to work, to work hard, to work long, to wait for recognition through years of constant effort. He had secured a fairly good education and, in many ways, seemed well fitted for the vocation he had chosen to pursue.