Lady Victoria Gwynne, one of the tallest women of her time and still one of the handsomest, had been extolled all her life for that fusion of the romantic and the aristocratic ideals that so rarely find each other in the same shell; and loved by a few. Her round slender figure, supple with exercise and ignorant of disease, her black hair and eyes, the utter absence of color in her smooth Orientally white skin, the mouth, full at the middle and curving sharply upward at the corners, and the irregular yet delicate nose that seemed presented as an afterthought to save that brilliant and subtle face from classic severity, made her look--for the most part--as if fashioned for the picture-gallery or the poem, rather than for the commonplaces of life. Always one of those Englishwomen that let their energy be felt rather than expressed, for she made no effort in conversation whatever, her once mobile face had of late years, without aging, composed itself into a sort of illuminated mask. As far as possible removed from that other ideal, the British Matron, and still suggesting an untamed something in the complex centres of her character, she yet looked so aloof, so monumental, that she had recently been painted by a great artist for a world exhibition, as an illustration of what centuries of breeding and selection had done for the noblewomen of England. Some years before, a subtle Frenchman had expressed her in such a fashion that while many vowed he had given to the world an epitome of romantic youth, others remarked cynically that his handsome subject looked as if about to seat herself on the corner of the table and smoke a cigarette. The American artist, although habitually cruel to his patrons, had, after triumphantly transferring the type to the canvas, drawn to the surface only so much of the soul of the woman as all that ran might admire. If there was a hint of bitterness in the lower part of the face, from the eyes there looked an indomitable courage and much sweetness. Only in the carnage of the head, the tilt of the chin, was the insolence expressed that had made her many enemies. Some of the wildest stories of the past thirty years had been current about her, and rejected or believed according to the mental habit or personal bias of those that tinker with reputations. The late Queen, it was well known, had detested her, and made no secret of her resentment that through the short-sighted loyalty of one of the first members of her Household, the dangerous creature had been named after her. But whatever her secrets, open scandal Lady Victoria had avoided: imperturbably, without even an additional shade of insolence, never apologizing nor explaining; wherein, no doubt, lay one secret of her strength. And then her eminently respectable husband, Arthur Gwynne, second son of the Marquess of Strathland and Zeal, had always fondly alluded to her as "The Missus," and lauded her as a repository of all the unfashionable virtues.