The next morning, Isabel, after little sleep, rose early and went out for a walk. She had sat up until eleven, listening to the puzzling jets of conversation, or watching the Bridge-players, and when she had finally reached her room, tired and excited, Flora Thangue had come in for a last cigarette and half an hour of chat. Her first evening in the new world had had its clouded moments, for it was impossible not to feel the alien, and the kindness of English people, no matter how deep, is casual in expression. But on the whole she had felt more girlishly happy and ebullient than since her sister had gone her own way and left a heavy burden for young shoulders behind her. In the freedom of a girl in Europe, no matter how prized, there is much of loneliness in idleness, a constant attitude of defence, moments of bitter wonder and disgust, and, to the analytical mind, an encroaching dread of a more normal future with a chronic canker of discontent. Isabel had by no means passed her European years in the procession that winds from the Tiber to the Seine, prostrating itself at each successive station of architecture or canvas; nor even devoted the major portion of her time to the investigation of the native, deeply as the varying types had interested her. Her intellectual ambition, as is often the case with the American provincial girl, had been even stronger than her desire for liberty and pleasure, and she had spent several months with the archaeological society of Rome, read deeply in Italian history and art, attended lectures at the Sorbonne, and spent nearly a year in Berlin, Dresden, Munich, and Vienna, studying that modern stronghold of dramatic literature, the German Theatre.