Ancient and Modern Furniture and WoodworkPollen, John Hungerford
History
Ancient and Modern Furniture and Woodwork
Pollen, John Hungerford
Furniture; Woodwork
We do not know in what kind of repositories or pieces of furniture the
ancient Romans kept their specimens of painting or their vases, some
of which formed their most valued treasures. It is generally supposed
that they were set on shelves fastened to the wall. On such shelves
small images, boxes of alabaster or glass, and ornamental vases of all
kinds were kept. Craters, sculptured vases on a large scale and made
of bronze or marble, were also mounted on pedestals and ranged as
ornaments with the statues. Bronzes and statues, pieces of sculpture
that had fixed places, stood either along the walls of the reception
rooms or under the eaves of the _compluvium_, whence light was
obtained to set them off to advantage, and where turf, flowers, and
fountains were in front of them. A vase or crater, nearly eight feet
high, is in the hall of the British museum, brought from the villa of
Hadrian at Palestrina; and in the entrance-hall of Nero's house there
was a colossus 120 feet high, and long arcades and a tank or basin of
water. But objects on this scale scarcely belong to the descriptions
of what might be found ordinarily in houses of the great patricians.
Sometimes a couch and a table of marble were placed close to the
fountains in these delightful portions of the house.
Tables were of many varieties in Rome, and enormous expenses were
incurred in the purchase of choice pieces of such furniture. They
were made of marble, gold, silver, bronze; were engraved, damascened,
plated, and otherwise enriched with the precious metals; were of
ivory, and of wood, and wood decorated with ivory; and in many other
methods. Engraved (p. 26) is a very beautiful table found at Pompeii,
and now at Naples. Tripods, terminal and other figures, made of bronze
or marble; winged sphinxes, or leopards' and lions' legs, columns and
other architectonic forms, were the supports on which these tables
were fastened. Some had one central support only, in a few instances
finished with animal heads of ivory. _Abaci_ were small tables with
raised rims to hold valuables.
Many tables were of cedar and on ivory feet. Horace speaks of maple,
so also does Pliny, as a favourite wood for tables: birds'-eye maple
especially was much prized. The planks and disks that could be cut
from the roots and the boles of trees that had been either pollarded
or otherwise dwarfed in growth in order to obtain wavy grain, knotted
convolutions, &c., were in request. Veneers of well-mottled wood or of
precious wood, small in scantling, were glued on pine, cedar, &c.,
as a base. These pollard heads, root pieces, &c., were bought at high
prices, specially those of the _citrus_ or _cedrus Atlantica_.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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