Ancient and Modern Furniture and Woodwork — John Shaqi
Ancient and Modern Furniture and WoodworkPollen, John Hungerford
History
Ancient and Modern Furniture and Woodwork
Pollen, John Hungerford
Furniture; Woodwork
Though the usual conveyance during the thirteenth century was a horse
litter for women of rank, and men rode on horseback, yet covered
and open carriages or waggons were not unknown in that and in the
following century. A charette containing a number of maids of honour
in attendance on Anne of Bohemia at her public reception in London in
1392, was upset on London bridge from the rush of the crowd to get
a sight of the queen, and her ladies were not without difficulty
replaced. These charettes, cars, or waggons were covered carts on four
wheels, like country waggons of our days, panelled at the sides, and
the tilt covered with leather, sometimes with lead, and painted.
[Illustration]
We must not pass without a very brief notice the large constructions
of roofs of wood begun as early as the twelfth, and continued and
improved through the thirteenth and fourteenth centuries, the period
during which the finest efforts of mediæval Gothic art were embodied
all over the north and over parts of the south of Europe. The older
part of Westminster hall dates from the reign of Rufus, and the walls
of the present building belong to that period, though faced at a later
time. How the roof of the enormous space, sixty-five feet diameter,
was at first constructed there is no evidence to show. It had,
perhaps, a row of arches down the middle, like the great hall of
the palace of Blois, said to be of the thirteenth century, or huge
kingposts supporting the ties between rafters, which in that case may
have been as long as those of the later roof. The present roof, work
of the fourteenth century, marks the beginning of a change in the
style of architecture that accompanied and caused great changes in
furniture and household woodwork. The ties are supported by curved
braces that descend like arches on the stone corbels made in the wall
to receive them. These braces take two flights, being tied back where
they meet by hammer beams into a lower part of the rafter. The lower
brace upholds another upright or collar post which supports the
junction of these beams with the rafter, at its weakest part. A rich
subdivision of upright mullions with cusped arch heads fills up the
spandrels between these braces and the beams they support, and adds
stiffness as well as decoration to the whole.
Public-domain text, read in full here on John Shaqi.
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