Ancient and Modern Ships, Part 1: Wooden Sailing ShipsHolmes, George Charles Vincent, Sir
History
Ancient and Modern Ships, Part 1: Wooden Sailing Ships
Holmes, George Charles Vincent, Sir
Sailing ships -- History; Shipbuilding -- History; Ships -- History
Before concluding this account of shipbuilding in ancient Egypt, it may
be mentioned that, in the year 1894, the French Egyptologist, Monsieur
J. de Morgan, discovered several Nile boats of the time of the twelfth
dynasty (2850 B.C.) admirably preserved in brick vaults at Dashur, a
little above Cairo, on the left bank of the river. The site of these
vaults is about one hour's ride from the river and between 70 and 80
feet above the plain. The boats are about 33 feet long, 7 to 8 feet
wide, and 2-1/2 to 3 feet deep. As there were neither rowlocks nor
masts, and as they were found in close proximity to some Royal tombs, it
is considered probable that they were funeral boats, used for carrying
royal mummies across the river. They are constructed of planks of acacia
and sycamore, about three inches thick, which are dovetailed together
and fastened with trenails. There are floors, but no ribs. In this
respect the account of Herodotus is remarkably confirmed. The method of
construction was so satisfactory that, although they are nearly 5,000
years old, they held rigidly together after their supports had been
removed by Monsieur de Morgan. They were steered by two large paddles.
The discovery of these boats is of extraordinary interest, for they
were built at the period usually assigned to Noah's ark. It is a curious
fact that they should have been found so far from the river, but we know
from other sources--such as the paintings found in papyrus books--that
it was the custom of the people to transport the mummies of royal
personages, together with the funeral boats, on sledges to the tomb.
The famous galleys of the Egypt of the Ptolemies belonged to the period
of Greek and Roman naval architecture, and will be referred to later.
Public-domain text, read in full here on John Shaqi.
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