It seems as though the change came and life was born by magic, and the
primitive Australian takes care that magic should not be wanting, and
magic of the most instructive kind. As soon as the season of fertility
approaches he begins his rites with the avowed object of making and
multiplying the plants, and chiefly the animals, by which he lives; he
paints the figure of the emu on the sand with vermilion drawn from his
own blood; he puts on emu feathers and gazes about him vacantly in
stupid fashion like an emu bird; he makes a structure of boughs like the
chrysalis of a Witchetty grub--his favourite food, and drags his body
through it in pantomime, gliding and shuffling to promote its birth.
Here, difficult and intricate though the ceremonies are, and uncertain
in meaning as many of the details must probably always remain, the main
emotional gist is clear. It is not that the Australian wonders at and
admires the miracle of his spring, the bursting of the flowers and the
singing of birds; it is not that his heart goes out in gratitude to an
All-Father who is the Giver of all good things; it is that, obedient to
the push of life within him, his impulse is towards food. He must eat
that he and his tribe may grow and multiply. It is this, his will to
live, that he _utters and represents_.
* * * * *
The savage utters his will to live, his intense desire for food; but it
should be noted, it is desire and will and longing, not certainty and
satisfaction that he utters. In this respect it is interesting to note
that his rites and ceremonies, when periodic, are of fairly long
periods. Winter and summer are not the only natural periodic cycles;
there is the cycle of day and night, and yet among primitive peoples but
little ritual centres round day and night. The reason is simple. The
cycle of day and night is so short, it recurs so frequently, that man
naturally counted upon it and had no cause to be anxious. The emotional
tension necessary to ritual was absent. A few peoples, _e.g._ the
Egyptians, have practised daily incantations to bring back the sun.
Probably they had at first felt a real tension of anxiety, and
then--being a people hidebound by custom--had gone on from mere
conservatism. Where the sun returns at a longer interval, and is even,
as among the Esquimaux, hidden for the long space of six months, ritual
inevitably arises. They play at cat's-cradle to catch the ball of the
sun lest it should sink and be lost for ever.
Public-domain text, read in full here on John Shaqi.
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