Ancient Chinese account of the Grand Canyon, or course of the ColoradoMcAllan, Alexander
History
Ancient Chinese account of the Grand Canyon, or course of the Colorado
McAllan, Alexander
America -- Discovery and exploration -- Chinese; Colorado River (Colo.-Mexico)
And some are entranced by strains of music arising from the mouth of the
Canyon and declare that it holds an "orchestra." In one place the
thousands of streamlets, glistening and gleaming like silvery cords,
stretch downward from the edge of the painted chasm; and the resounding,
melodious precipice is called "the Cliff of the Harp." (note 30.) What
is this but an echo of the ancient declaration that the royal Lute in
the Canyon was merely a musical stream. Similar ideas have occurred to
poets. Coleridge in his "Ancient Mariner," tells of
"A noise like of a hidden brook
In the leafy month of June,
Which to the sleeping woods all night
Singeth a quiet tune."
And Moore has heard the notes of harp-strings sounding forth from
melodious streams. What wonder, then, that ancient poets (and the
translation states that the particular work which makes mention of the
"Bottomless =Kuh=" or valley, is a "poem") should have likened a
collection of falling streams or cascades to the chords of a tuneful
Lute and then, to distinguish it from others less excellent, have
applied to the stringed instrument the name of their Prince. Americans
today gravely talk of visiting or seeing "St. Luke's Head" (in
California!) And we possess a mere natural formation which is supposed
to resemble a nose and is religiously called "St. Anthony's Nose." In
truth this "nose" is no more a literal nose than the "Lute" in the
Canyon is a literal stringed instrument made by men. Then we have
"Cleopatra's Bath" and "Pompey's Pillar." (Next tell us in the interest
of chaos and confusion that Pompey left here "his" Pillar.)
In the grand caves at Pikes Peak there is an "organ," which is really no
organ at all. It is a natural formation or production from which
charming melodies are fetched by skilled musicians. Now if we ourselves
can gravely call a musical, highly-strung rock an "Organ," may not the
Ancients be excused for calling a combination of musical streams a Lute?
Contemplating the "Cliff of the Harp," we can readily understand how
old-time visitors found down there the tuneful string of a "Lute" and
how an imperial Child of the Sun was unable to lug along "his" notable
musical toy. There it remains and melodious notes still come floating
up.
Lutes and Lyres are there, say the Ancients.
"An Academy of Music!" say the Moderns.
The Chinese annotater remarks that the =lieh tsze= (a class of sages or
teachers--the literati) are unacquainted (=pu chi=) with the =sheu-hai=
or Gulf situated toward the east (=chi tung=.)
The Chinese scholars of the writer's time knew little or nothing of our
Gulf of California (or =Sheu-hai=). However, it was known to some; and
we are now informed that it is =ki= (a =few=; nearly about,
approximately) =yih= (to =guess=, to bet; 100,000; an indeterminate
number) =wan= (10,000) =le=.
Public-domain text, read in full here on John Shaqi.
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