Still, whencesoever derived, the Egyptian people, as it existed in the
flourishing times of Egyptian history, was beyond all question a mixed
race, showing diverse affinities. Whatever the people was originally, it
received into it from time to time various foreign elements, and those
in such quantities as seriously to affect its physique--Ethiopians from
the south, Libyans from the west, Semites from the north-east, where
Africa adjoined on Asia. There are two quite different types of Egyptian
form and feature, blending together in the mass of the nation, but
strongly developed, and (so to speak) accentuated in individuals. One is
that which we see in portraits of Rameses III, and in some of Rameses
II.--a moderately high forehead, a large, well-formed aquiline nose, a
well-shaped mouth with lips not over full, and a delicately rounded
chin. The other is comparatively coarse--forehead low, nose depressed
and short, lower part of the face prognathous and sensual-looking, chin
heavy, jaw large, lips thick and projecting. The two types of face are
not, however, accompanied by much difference of frame. The Egyptian is
always slight in figure, wanting in muscle, flat in foot, with limbs
that are too long, too thin, too lady-like. Something more of
muscularity appears, perhaps, in the earlier than in the later forms;
but this is perhaps attributable to a modification of the artistic
ideal.
As Egypt presents us with two types of physique, so it brings before us
two strongly different types of character. On the one hand we see, alike
in the pictured scenes, in the native literary remains, and in the
accounts which foreigners have left us of the people, a grave and
dignified race, full of serious and sober thought, given to speculation
and reflection, occupied rather with the interests belonging to another
world than with those that attach to this present scene of existence,
and inclined to indulge in a gentle and dreamy melancholy. The first
thought of a king, when he began his reign, was to begin his tomb. The
desire of the grandee was similar. It is a trite tale how at feasts a
slave carried round to all the guests the representation of a mummied
corpse, and showed it to each in turn, with the solemn words--"Look at
this, and so eat and drink; for be sure that one day such as this thou
shalt be." The favourite song of the Egyptians, according to Herodotus,
was a dirge. The "Lay of Harper," which we subjoin, sounds a key-note
that was very familiar, at any rate, to large numbers among the
Egyptians.
The Great One[4] has gone to his rest,
Ended his task and his race;
Thus men are aye passing away,
And youths are aye taking their place.
As Ra rises up every morn,
And Turn every evening doth set,
So women conceive and bring forth,
And men without ceasing beget.
Each soul in its turn draweth breath--
Each man born of woman sees Death.
Public-domain text, read in full here on John Shaqi.
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