“They say he is the royal lover. They say he is the master of Egypt.”
“And he is as beautiful as Apollo.”
“Ah! he has turned round. I am very glad that I came. I shall say that
I have seen him. I have heard so much about him. It seems that no woman
has ever resisted him. He has had many love adventures, has he not? How
is it that the queen has not heard of them?”
“The queen knows of them as well as we do. She loves him too much to
speak of them. She is afraid of his returning to Rhodes, to his master,
Pherecrates. He is as powerful as she is, and it is she who desired
him.”
“He does not look happy. Why does he look so sad? I think I should be
happy if I were in his place. I should like to be he, were it only for
an evening.”
The sun had set. The women gazed at this man, their common dream. He,
without appearing to be conscious of the stir he created, remained
leaning over the parapet, listening to the flute-girls.
The little musicians made another collection; then, they softly threw
their light flutes over their backs. The singing-girl placed her arms
round their necks and all three returned to the town.
At night-fall, the other women went back into immense Alexandria in
little groups, and the herd of men followed them; but all turned round
as they walked, and looked at Demetrios.
The last girl who passed softly cast her yellow flowers at him, and
laughed.
Night fell upon the quays.
III
DEMETRIOS
Demetrios remained alone, leaning on his elbow, at the spot vacated by
the flute-girls. He listened to the murmur of the sea, to the slow
creaking of the ships, to the wind passing beneath the stars.
The town was illumined by a dazzling little cloud which lingered upon
the moon, and the sky was bathed in soft light.
The young man looked around him. The flute-girls’ tunics had left two
marks in the dust. He remembered their faces: they were two Ephesians.
He had thought the elder one pretty; but the younger was without charm,
and, as ugliness was a torture to him, he avoided thinking about her.
An ivory object gleamed at his feet. He picked it up: it was a
writing-tablet, with a silver style attached to it. The wax was almost
worn away and it had been necessary to go over the words several times
in order to make them legible. They were even scratched into the ivory.
There were only these words:
Myrtis Loves Rhodocleia
and he did not know to which of the two women this belonged, and
whether the other was the loved one, or whether it was some unknown
girl left behind in Ephesos. Then he thought for a moment of overtaking
the two musicians in order to restore them what was perhaps the
souvenir of a cherished dead friend; but he could not have found them
without difficulty, and as he was already beginning to lose interest in
them, he turned round languidly and threw the little object into the
sea.
Public-domain text, read in full here on John Shaqi.
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