“No,” said Chrysis laughing; “but I am going to be as powerful as she
is. Do you desire anything?”
“Oh, yes.”
And the little girl became thoughtful.
“Well, what is it?” asked Chrysis.
“It is something impossible. Why should I ask?”
Myrtocleia spoke for her:
“At Ephesos, in our country, when two virgins of nubile age like Rhodis
and me love one another, the law allows them to be united in marriage.
They both go to the temple of Athena and sacrifice their double girdle;
thence to the sanctuary of Iphinoë, where they offer a lock of their
hair, interwined; and finally to the peristyle of Dionysios, where the
more male of the two receives a little knife of sharp-edged gold, and a
white linen cloth to stanch the blood. In the evening, the “fiancee” is
conducted to her new home in a flowered chariot between her husband and
the paranymph, escorted by torch-bearers and flute-girls. And
thenceforth they have the rights of married people; they may adopt
little girls and associate them in their intimate life. They are
respected. They have a family. That is the dream of Rhodis. But it is
not the custom here.”
“We will change the law,” said Chrysis.
“But leave it to me, you shall marry one another.”
“Oh, is it true?” cried the little girl, flushing with joy.
“Yes; and I don’t ask which of you is to be the husband. I know that
Myrto possesses everything necessary to create that illusion. You are
fortunate, Rhodis, to have such a friend. They are rare, whatever
people say.”
They reached the door, where Djala was sitting on the steps weaving a
towel of flax. The slave-woman rose to allow them to pass, and then
followed them.
The two flute-girls took off their simple clothing in an instant. They
performed minute ablutions upon each other in a green marble bowl
communicating with the bath. Then they rolled upon the bed.
Chrysis looked at them without seeing them. The words spoken by
Demetrios, even the most trivial, ran in her memory unceasingly. She
was not conscious of the presence of Djala, who silently untied and
unwound her long saffron veil, unbuckled the girdle, took off the
rings, the seals, the armlets, the silver serpents, the golden pins;
but the gentle titillation of her hair falling over her shoulders woke
her vaguely.
She asked for her mirror.
ill-019
_She was not conscious of the presence of Djala, who silently
untied and unwound her long saffron veil._
Was she beginning to feel afraid that she was not beautiful enough to
keep this new lover—for keep him she must—after the mad exploits she
had demanded of him? Or was it that, by a detailed examination of each
one of her physical beauties, she wanted to calm her alarms and justify
her confidence?
Public-domain text, read in full here on John Shaqi.
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