Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied SymbolsInman, Thomas
Religion
Ancient Pagan and Modern Christian Symbolism: With an Essay on Baal Worship, on the Assyrian Sacred "Grove," and Other Allied Symbols
Inman, Thomas
Christian art and symbolism; Symbolism
We can now look upon the very symbols themselves, which were so
used--perhaps the most remarkable in existence. It is well known that
the Chaldeans, from whom all other nations derived their religion,
astronomy, and science, gave the name of Bel or Baal to their chief
god. In the most ancient inscription yet deciphered, written in the
Babylonian and Arcadian languages, a king rules by "the favour of Bel."
Another name for Baal is Assur, or Asher, from whom Assyria is named.
In the cuneiform inscriptions of Sennacherib, the great king of Assyria,
Nineveh is called "the city of Bel," and "the city beloved by Ishtar."
In another inscription he says of the king of Egypt:--"the terror of
Ashur and Ishtar overcame him and he fled." Assurbanipal thus commences
his annals "The great warrior, the delight of Assur and Ishtar, the
royal offspring am I." In a cuneiform inscription of Nebobelzitri, we
read:--"Nineveh the city, the delight of Ishtar, wife of Bel." Again,
"Beltis, the consort of Bel." "Assur and Beltis, the gods of Assyria."
Thus we see that Baal and Bel were identical with Assur, and Ashur.
Doubtless, then, "Asherah" is the last name with the feminine
termination (as Ish = man, Ishah=woman), and is identical with Ishtar,
Ashteroth, Astarte and Beltis. The Septuagint has rendered "Asherah" by
"Astarte," in 2 Chron. xv. 16, and the Vulgate by "Astaroth," in Judges
iii. 7. Herodotus described (b.c. 450) the great temple of Belus at
Babylon, and its seven stages dedicated to the sun, moon, and planets,
on the top of which was the shrine. This contained no statue, but there
was a golden couch, upon which a chosen female lay, and was nightly
visited by the god. Now, therefore, that the palaces of the Assyrian
kings, and their "chambers of imagery," have been by great good fortune
laid open to us, we might expect to discover the long-lost symbolism of
Baal-worship. And so we have.
To commence with the simplest. The (Ashcrim) is seen as the mystic
palm-tree, the tree of life, Fig. 99; the phallic pillar putting
forth branches like flames, Fig. 65; and the tree with seven phalloid
branches, so common on Assyrian and Babylonian seals, Plate xvii., Fig.
4. See also the remarkable Syrian medals, Plate xvii., Fig. 2, on which
is represented Baal as the sun-god, holding the bow, and surrounded by
phalli.
Or, least conventional of all, the simple phallus, of which there are
two remarkable specimens in the British Museum. Each of these is about
two and a half feet high, and once guarded the bounds of an estate.
Among the Greeks and Romans, boundaries were also marked by a phallic
statue of Hermes, the god of fertility. These Assyrian emblems have
doubtless often been honoured with rural sacrifice. Themselves the most
expressive symbol of life, they are also covered with its conventional
emblems.
Public-domain text, read in full here on John Shaqi.
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