Ancient Pottery of the Mississippi Valley: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 361-436 — John Shaqi
Ancient Pottery of the Mississippi Valley: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 361-436Holmes, William Henry
History
Ancient Pottery of the Mississippi Valley: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 361-436
Holmes, William Henry
Indian pottery -- Mississippi River Valley; Mississippi River Valley -- Antiquities
A very good illustration of this class of vessel is given in Fig. 375.
It is evidently intended to imitate a trimmed conch shell. The apex
and a few of the surrounding nodes are shown at the right, while the
base or spine forms a projecting lip at the left. A coil of clay forms
the apex. This is carried outward in a sinistral spiral to the noded
shoulder. We have here a suggestion of the origin of a favorite
decorative motive, the scroll, a clew, however, which the paucity of
examples makes it difficult to follow up satisfactorily.
[Illustration: FIG. 375.--Bowl imitating a modified conch shell.--1/3.]
Although we may not be able to arrive at any definite conclusion in
regard to the origin and significance of the practice of modeling
life forms in clay, we are certain of one thing, that it became an
important feature in the potter's art, and that in due course of time
the practice broke loose from the restraints of birth and tradition
and asserted its freedom in the production of any form that
superstition or fancy happened to select.
The artist probably did not follow nature with great accuracy in all
the details of species and varieties, but some definite model must
have been in view, in nearly all cases, and such characters as came
to be regarded as essential to that creature were never lost sight of,
consistency being a most notable characteristic of the art of a savage
or barbaric people.
[Illustration: FIG. 376.--Frog-shaped bowl: Craigshead Point,
Arkansas.--1/3.]
[Illustration: FIG. 377.--Frog-shaped bowl: Pecan Point,
Arkansas.--1/3.]
[Illustration: FIG. 378.--Animal-shaped bowl: Arkansas.--1/3.]
The sun-fish was a favorite model, but its form was generally employed
in vessels with upright necks. A number of examples occur in the next
section. Of reptilian forms the frog seems to have been the favorite.
[Illustration: FIG. 379.--Bird-shaped bowl: Arkansas.--1/3.]
[Illustration: FIG. 380.--Bird-shaped bowl: Arkansas.--1/3.]
Few examples occur, however, in the shallower vessels. In the bowl
illustrated in Fig. 376, the various members of the body are boldly
modeled, and appear about the most expanded portion of the vessel.
The rim is ornamented with a series of notches, and two small loops
connect the rim with the head and tail of the creature. The legs are
characteristic, and the long toes extend beneath the body. The bottom
of the vessel is flat. The make and finish are as usual, but the
surface has been painted red. A similar vessel is shown in Fig. 377,
the view being taken from the front. It is well polished and has a
rounded bottom. The color is dark.
[Illustration: FIG. 381.--Bird-shaped bowl: Arkansas.--1/3.]
[Illustration: FIG. 382.--Bowl with grotesque heads: Arkansas.--1/3.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account