Ancient Pottery of the Mississippi Valley: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 361-436 — John Shaqi
Ancient Pottery of the Mississippi Valley: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 361-436Holmes, William Henry
History
Ancient Pottery of the Mississippi Valley: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 361-436
Holmes, William Henry
Indian pottery -- Mississippi River Valley; Mississippi River Valley -- Antiquities
The serpent, especially the rattlesnake, has always taken a leading
place in the mythology and the art of the more cultured American
races, and crest-plumes, and wings have often been considered its
proper attributes. The conventional method of representation is also
characteristically aboriginal. The plumes, the figure connected with
the eye, the bands upon the neck, the stepped figures of the body, and
the semi-circular patches on the wings are all characters that appear
again and again in the ancient art of the United States. The peculiar
emblematic treatment of the heart is almost universal in temperate
North America. And just here I may be permitted to suggest that the
remarkable feature of the great earth-work serpent of Adams county,
Ohio, which has been regarded as the "symbolic egg," and which in
its latest phase has become the issue of a frog and the prey of
the serpent, is possibly intended for the heart of the serpent, the
so-called frog being the head. The rosette figures are not often
duplicated in Indian art. There can be little doubt that the figures
of this design are derived from mythology.
_Eccentric forms._--A form of vessel of which civilized men make
peculiar use is depicted in Fig. 413. There is a marked resemblance
to a common tea-pot. A very few examples have been found, two of which
are illustrated in the Third Annual Report of the Bureau of Ethnology.
The specimen here given is well made and carefully finished. The neck
is low and wide, and the body is a compressed sphere. The spout is
placed upon one side and a low knob upon the other. The absence of
a handle for grasping indicates that the vessel was probably not
intended for boiling water. These characters are uniform in all the
specimens that have come to my notice. Two small circular depressions
occur on the sides of the vessel alternating with the spout and
the knob and with these features form centers for four rosettes of
involute incised lines. The origin of this form of vessel is
suggested by a fine red piece from "Mississippi," now in the national
collection. The knob is the head of a turtle or other full-bodied
reptile, and the spout takes the place of the creature's tail. Many of
the animal-shaped vases would resemble this form closely if an opening
were made through the top of the body and through the tail.
[Illustration: FIG. 413.--Teapot-shaped vessel: Arkansas.--1/3.]
[Illustration: FIG. 414.--Vessel of eccentric form: Arkansas.--1/3.]
In connection with the teapot-like vessels it will be well to describe
another novel form not wholly unlike them in appearance, an example
being shown in Fig. 414. The shoulder is elongated on opposite sides
into two curved, horn-like cones, which give to the body a somewhat
crescent-shaped outline. It is of the ordinary plain, dark ware, and
has had a low stand or base which is now broken away.
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