Ancient rhetoric and poetic : $b Interpreted from representative works — John Shaqi
Ancient rhetoric and poetic : $b Interpreted from representative worksBaldwin, Charles Sears
History
Ancient rhetoric and poetic : $b Interpreted from representative works
Baldwin, Charles Sears
Classical literature -- History and criticism -- Theory, etc.; Poetics -- History -- To 1500; Rhetoric, Ancient
“That scheme of thought and expression and force of speaking
the ancient Greeks used to call philosophy.[71]... For that
ancient teaching appears to have been the preceptress alike
of living rightly and of speaking well. Nor were the teachers
separate; the same masters formed morals and speech.”[72]
From the scorn of Socrates for rhetoric arose the unnatural
separation of rhetoric from philosophy ... “that divorce as it
were of the tongue from the heart ... that one class of persons
should teach us to think, another to speak, rightly.”[73]
Philosophy has suffered by this separation. The Cyrenaic
philosophy remains incomplete by dissuading from public life.
The Stoic philosophy, though it declares eloquence to be virtue
and wisdom, makes wisdom practically unattainable; and the
dry abstractness of address cultivated by the Stoics is quite
ineffective. Rhetoric, on the other hand, has suffered by being
reduced to maxims of pleading. In a word, training in rhetoric,
to be adequate, must include philosophy; and philosophy remains
ineffective without rhetoric. This, of course, is the ideal;
but it is not practically impossible; for we are not saying
that the orator must be a philosopher, only that he must know
philosophy.[74]
Therefore style must not be conceived either as the
controversial acrimony of the forum or as conventional
adornment borrowed by ignorance. The style must become the
thought, not weary the audience by display; and the very idea
of enhancing implies a store of thought.[75]
The futile distinction made by rhetoricians between a
particular case and a general has this bearing on style, that
eloquence consists in bringing to bear on every question those
fundamental human aspects which can be exhibited only through
large knowledge; for copiousness of style comes only from
copiousness of thought. The Greeks gave oratory to philosophy,
philosophy to oratory. Our Roman ancestors aspired to knowledge
in all fields that touch civil life. The greatness of the arts
has been diminished by division and separation.[76]
These twenty chapters are a brilliant instance of what the ancients
meant by amplification. Logically they do little more than iterate the
truism that style is inseparable from substance; but actually they make
the truism live. Cicero is an admirable example of his own definition of
the eloquent as those “who speak with clear distinctions, lucid order,
amplitude, brilliance of matter and manner, and in prose weave something
of the spell of verse—in a word, who enhance.”[77] “Immortal gods! said
Catulus, what a variety of things, Crassus, you have embraced! what
force, what abundance! and from what poverty have you dared to lead the
orator forth and establish him in the kingdom of his fathers!”[78]
_ORATOR_
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