I did not pretend to know this particular play, but my tone implied that
I had always been meaning to read it and had always by some mischance
been prevented. For his sake as well as my own I did want to acquit
myself passably. I wanted for him the pleasure of seeing his joys shared
by a representative, however humble, of the common world. I turned the
leaves caressingly, looking from them to him, while he dilated on the
beauty of this and that scene in the play. Anon he fetched another
volume, and another, always with the same faith that this was a
favourite of mine. I quibbled, I evaded, I was very enthusiastic and
uncomfortable. It was with intense relief that I beheld the title-page
of yet another volume which (silently, this time) he laid before me--The
Country Wench. ‘This of course I have read,’ I heartily shouted.
Swinburne stepped back. ‘You have? You have read it? Where?’ he cried,
in evident dismay.
Something was wrong. Had I not, I quickly wondered, read this play? ‘Oh
yes,’ I shouted, ‘I have read it.’
‘But when? Where?’ entreated Swinburne, adding that he had supposed it
to be the sole copy extant.
I floundered. I wildly said I thought I must have read it years ago in
the Bodleian. ‘Theodore! Do you hear this? It seems that they have now
a copy of “The Country Wench” in the Bodleian! Mr. Beerbohm found one
there--oh when? in what year?’ he appealed to me.
I said it might have been six, seven, eight years ago. Swinburne knew
for certain that no copy had been there twelve years ago, and was
surprised that he had not heard of the acquisition. ‘They might have
told me,’ he wailed.
I sacrificed myself on the altar of sympathy. I admitted that I might
have been mistaken--must have been--must have confused this play with
some other. I dipped into the pages and ‘No,’ I shouted, ‘this I have
never read.’
His equanimity was restored. He was up the ladder and down again,
showing me further treasures with all pride and ardour. At length,
Watts-Dunton, afraid that his old friend would tire himself, arose from
his corner, and presently he and I went downstairs to the dining-room.
It was in the course of our session together that there suddenly flashed
across my mind the existence of a play called ‘The Country Wife,’
by--wasn’t it Wycherley? I had once read it--or read something about
it.... But this matter I kept to myself. I thought I had appeared fool
enough already.
Public-domain text, read in full here on John Shaqi.
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