English fiction -- 20th century; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Short stories, English
“Think,” she said. “Think of sitting in your own library, with servants
falling over one another to answer the bell when you rang, and hunters
in the stables and four cars, and Royalty coming to stay with you, and
money to burn, and ‘The Wife of Willoughby Bagot, Esquire’ the picture
of the year, and Chancery smiling in its sleep because a Gray Bagot was
up in the saddle again.”
“‘And hatred therewith,’” said Willoughby, producing a pipe. “Nothing
doing, you witch. I’m sorry to disappoint you, but I’m much too foolish.
Quite idiotic, in fact. It’s hereditary. After all, I’ve much to be
thankful for. At the moment, I’m thankful for your dimple. I suppose it
always comes when you’re trying not to laugh.”
Spring covered her face and shook with merriment.
Presently she sat up soberly.
“We don’t do so badly, we servants, do we?” she said. “I guess our
respective employers aren’t laughing like that. I suppose you won’t let
me wash up?”
“Certainly not,” said Bagot. “That’s William’s affair.”
“Yes, but as often as not he does it with cold water. He told me so just
now. And that’s all wrong, you know.”
“I can’t help that,” said Bagot, lighting her cigarette. “I like my
guests to do as they feel inclined, but there’s a limit to my
hospitality. And now shall we go outside and sit on the grass? I want to
see you against a background of box.”
It was a brilliant afternoon, and the shadow of the lodge turned the
recess between the grey and green walls into a little arbour, the mouth
of which gave on to Chancery, slumbering warm in the sunshine, a quarter
of a mile away. What traffic used the road, pounded or whirred about its
business behind the close box-screen, alike blind and invisible, but
lending the little bay an air of privileged privacy like that of a
family pew.
“My summer parlour,” said Bagot, ushering his guest.
“Hereafter the Servants’ Hall,” said Spring, taking her seat upon the
turf. “Well, now I’m here, how do I look against the box?”
“You kill the poor thing,” said Bagot. “Your eyes are too bright. Never
mind. I’ll have it watered before you come next time.”
“I can’t come unasked again. I mean, there’s a limit to hospitality,
isn’t there?”
“You wicked girl,” said Willoughby. “You——”
“Why did you want to see me against the box?”
“Because good pictures should be put into good frames. I didn’t choose
the paper on my sitting-room walls, you know, but I never noticed how
very distressing it was until this afternoon.”
Spring looked up, smiling.
“Keep something for the heiress,” she said.
A car slid out of the distance, crept past the gates and stopped by the
side of the hedge, three paces away.
“We’re not far off,” said a man’s voice. “I know this property here, but
these corkscrew lanes of yours have tied me up. I can’t remember which
side the village lies. Maybe there’s a porter here. . . .”
A door was opened and someone descended into the road.
Before he could reach the gate, Bagot was out of his garden and in the
drive.
Public-domain text, read in full here on John Shaqi.
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