Science fiction; Short stories; Time travel -- Fiction
I let it go, and so do you. If you don't, it's a good way of going
crazy. You'll see later why I couldn't have invented the machine. Of
course, there may have been a start for all this once. There may have
been a time when you did invent the machine--the atomic motor first,
then the time-machine. And when you closed the loop by going back and
saving yourself the trouble, it got all tangled up. I figured out once
that such a universe would need some seven or eight time and space
dimensions. It's simpler just to figure that this is the way time got
bent back on itself. Maybe there is no machine, and it's just easier
for us to imagine it. When you spend thirty years thinking about it, as
I did--and you will--you get further and further from an answer.
Anyhow, you sit there, watching nothing all around you, and no time,
apparently, though there is a time effect back in the luggage space.
You look at your watch and it's still running. That means you either
carry a small time field with you, or you are catching a small
increment of time from the main field. I don't know, and you won't
think about that then, either.
* * * * *
I'm smoking, and so are you, and the air in the machine is getting a
bit stale. You suddenly realize that everything in the machine is wide
open, yet you haven't seen any effects of air loss.
"Where are we getting our air?" you ask. "Or why don't we lose it?"
"No place for it to go," I explain. There isn't. Out there is neither
time nor space, apparently. How could the air leak out? You still feel
gravity, but I can't explain that, either. Maybe the machine has a
gravity field built in, or maybe the time that makes your watch run is
responsible for gravity. In spite of Einstein, you have always had the
idea that time is an effect of gravity, and I sort of agree, still.
Then the machine stops--at least, the field around us cuts off. You
feel a dankish sort of air replace the stale air, and you breathe
easier, though we're in complete darkness, except for the weak light in
the machine, which always burns, and a few feet of rough dirty cement
floor around. You take another cigaret from me and you get out of the
machine, just as I do.
I've got a bundle of clothes and I start changing. It's a sort
of simple, short-limbed, one-piece affair I put on, but it feels
comfortable.
"I'm staying here," I tell you. "This is like the things they wear in
this century, as near as I can remember it, and I should be able to
pass fairly well. I've had all my fortune--the one you make on that
atomic generator--invested in such a way I can get it on using some
identification I've got with me, so I'll do all right. I know they
still use some kind of money, you'll see evidence of that. And it's a
pretty easygoing civilization, from what I could see. We'll go up and
I'll leave you. I like the looks of things here, so I won't be coming
back with you."
Public-domain text, read in full here on John Shaqi.
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