Ande Trembath: A Tale of Old Cornwall EnglandKemp, Matthew Stanley
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Ande Trembath: A Tale of Old Cornwall England
Kemp, Matthew Stanley
Cornwall (England : County) -- Fiction
"Yet bird of the wilderness, sad is our lot,
Our home, confiscated, our name, a dark blot;
The Cornish chief, stricken at Prestonpan's fight,
Wounded at Culloden for King and the right,
And captured at Braddock's defeat in the glen,
Was branded at home by a sycophant's pen.
"Oh, bird of the wildwood, upon the green bough
Thy ancestor sang just as sweetly as thou,
He sang, as thou singest, that evil should fail,
Injustice should fall, and that good should prevail;
But surely the goddess of justice is blind,
When traitor is honoured and patriot maligned.
"Sing sweetly, O wild bird, upon the green tree,
And let me draw comfort and solace from thee,
Though home's confiscated, dishonoured our name,
And poverty adds a deep sting to our shame,
And father's departed,--yet, evil shall fail,--
Some day,--right shall triumph and good shall prevail."
Clear and sweet arose the melody, and yet with a plaintive element of
sadness in it. The parson paused in his steps to listen. On one side of
the highway stretched the woods of the Manor, their shadow etched darkly
by the slightly slanting sun-rays; on the other side were the fields,
yellow, ripe, all ready for the sickle of the reaper. A wood-lark, the
sweetest of all English birds, arose in the air from the Manor woods
and, still twittering, flew over hedge and field, no doubt seeking its
home and mate.
A smile of pleasure lit up the saintly old rector's face and then merged
into the thoughtful. He made a pleasing picture leaning on his
silver-headed cane, his long skirted coat slightly open at the neck,
revealing the white stock-cravat in its fluffy folds, his head slightly
inclined as if not willing to lose a single bar of the song. Not until
the song was ended did he venture forward.
"Most remarkable song and most remarkable sweet tenor voice--yes--a
great deal sweeter than Penjerrick's. I must have that voice for our
parish choir."
Arriving at the corner of the woods, the silence of the singer was
explained in a single, brief, cursory glance. There, seated on the hedge
that separated the woods from the road, sat the figure of a boy, tall,
sinewy and strong, yet still a boy. His cap had fallen to the ground and
the tangled masses of dark red hair lay deep on his brow. With
melancholy, abstracted air, he was gazing across the fields as if in
meditation.
"Why, Ande, you are quite a singer," said the parson, in a pleasant
voice.
The lad, startled from his reverie, leaped down from the hedge, picked
up his cap and coming forward gave his customary salutation,
"Good-morning, Parson Trant."
The parson returned the salutation and then there was silence for a
moment, during which the rector scrutinised him with his kindly, yet
keen grey eyes.
Public-domain text, read in full here on John Shaqi.
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