Ande Trembath: A Tale of Old Cornwall EnglandKemp, Matthew Stanley
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Ande Trembath: A Tale of Old Cornwall England
Kemp, Matthew Stanley
Cornwall (England : County) -- Fiction
"Tom, could you play us something. You didn't know, Hugh, that Hunter
Tom is a player. He can make the violin talk, and he has often made me
cheerful when I felt sad."
Hunter Tom readjusted the violin, and forth upon the afternoon air,
silencing the birds for a time and rivalling them in sweetness, pealed
the tones of the old violin. It was a martial strain at first that
seemed to swell and soar like some triumphant march of some hero
returning from the wars. The stream back of the cabin seemed to roar in
harmony with the melody, like the thrilling chords of some giant bass
viol. The blood mounted to Ande's cheeks as he listened, and his eyes
brightened. The pilot gazed at the figure of the old hunter with awe and
reverence. If the melody was warlike and stirring the figure of the old
man was more so; yes, it was imposing, like some old Viking, who had
dared the deep and conquered it; the hunter's figure straightened, his
eye flashed, and his hoary locks and beard, stirred by the breeze,
appeared to roll away from his head and features like the dashing waters
of some cataract from its rocky crest. On and on went the melody,
soaring and wildly triumphant with its strong major chords. Then,
almost imperceptibly, there was the change to the minor key, and then a
number of changes from one to the other, and the effect was like hearing
the distant murmur of crashing pieces of artillery. At times there would
be a wild shriek from the upper chords and then the same repetition of
booming artillery fire. The old man seemed to be giving a musical
history of one of his own battles. Then, all of a sudden, all was in the
minor key, soft and sorrowful. There was a wailing hopelessness in the
tones. The old man's form ceased to tower at his full height, his head
sank lower and more lovingly upon the violin, and the strains were like
the requiem of a lost soul. The pallor returned to Ande's cheeks and
Hugh bowed his head in his hands. The leaves o'erhead rustled in
whispering sympathy, and here and there one would fall--a crimson tear
from the eye of a giant.
The melody ceased.
"Tom, I didn't ken that ye could play like that. It made me feel that I
was fighting the Shawnese again, and that I was knocking them right and
left, and then it seemed to me that I was in the Rough Waters, hearing
the noise of the rapids, and guiding a raft around the rocks, and then
it seemed to me as if the raft was a-dashed to pieces and I was flung
solitary and alone on the shore without a friend and without a baubee in
my pocket to buy a night's lodging. It near made me greet. Hunter Tom,
ye are a wonderful man."
There were tears in the pilot's eyes.
"I tell you, Hunter Tom, you should be on the stage. Play like that
before an audience in New Orleans, New York, or London and your fortune
is made. Whose melody was it?" said Ande.
Public-domain text, read in full here on John Shaqi.
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