Ande Trembath: A Tale of Old Cornwall EnglandKemp, Matthew Stanley
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Ande Trembath: A Tale of Old Cornwall England
Kemp, Matthew Stanley
Cornwall (England : County) -- Fiction
"The melody is my own. Ne'er a note of it was e'er on paper; I composed
it here in the wilderness and it's a history of my own life and my
family. The end of the piece represents me now, a solitary dweller in
the wilderness, an exile from home, with no friends but the great God
above." The old man bowed his head in weariness, and then sat down on
the wooden bench 'neath the trees.
"Ye have other tunes?" asked Hugh.
"Hunter Tom, you never told me that you were a composer and ne'er played
that for me before. You have other melodies of your own; play them for
us," said Ande.
"Aye, I have other tunes, and many of my own, but I'm not going to make
ye sad with an old man's woes. I'll play ye 'Chevy Chase' and 'I See
Three Ships Come Sailing In,' to make your hearts glad, and then I'll
give ye some more of my own composition." The familiar airs, one after
the other, in sequence, airs so delightful to the English ear, came
forth from the violin under the magical touch of the old man, and all
the while the pilot listened as if he was entranced, and Ande,--it
seemed as if the green fields and coasts of England arose before him.
Again he saw the Manor and the Manor woods, the Bowling Green of old
Helston, and the gleaming, shimmering waters of the Lowe, and the
rolling blue of the channel beyond. All passed before him again as if
in a dream, and then there were faces that passed before his mind, Tom
Puckinharn, Pengilly, and Tom Glaze, and the face of his mother, and
back beyond all, a dark-eyed, youthful face, with dark curling locks
deep on a broad brow, a countenance, merry, and with something of the
joyousness of spring flowers in the gently flushing cheeks. There was an
intense longing in his eyes as he allowed his imagination to roam at
will. Ah, it was eight long years since he had seen her, and heard those
words: "You are my knight." Would she remember him still? Was she
married?
The thought gave him pain, and he drove it from him and thought of other
themes. The Primrose Cottage arose clearly to his mind. Ah, he must get
well soon and return to those haunts of boyhood, and to the dear ones of
years ago. But what was that that the old hunter was playing? It could
not be "Chevy Chase." The opening bars were swept off the strings with a
master's hand. Soft at first and then with louder, more resonant tones.
The old man was standing again, his head partly elevated, a look of
hopefulness on his weather-beaten countenance. The pilot was drinking
in, with eager ears, the melody, and sat motionless. The opening bars
were finished, and the old hunter's voice rang out clear and with a
wonderful pathos in the tones. He had sung before in other melodies, but
never with such feeling as now. Ande rose on one elbow and stared
excitedly at the old man. That song! Where had he learned it!
Public-domain text, read in full here on John Shaqi.
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