Without any ado, she put the gold into her pocket, swiftly opened
the door, and listened out into the dark corridor. "Take your
shoes off," she whispered, "give me your hand and don't hesitate
to follow me to wherever I'll go. Inside the house, they are all
asleep, except for the porter."
She put out her light and scurried ahead, through the corridor,
pulling him along by his hand. They stepped through several
large, dark chambers; then, the girl opened the door of a
ball-room, which was faintly lit by the dusky light coming in
through three high windows in the front side of the palace. On
one side, a narrow staircase went up to the estrade where the
musicians would play. "Walk softly!" the girl warned, "the stairs
creak a little. I'm leaving you alone here. Up there, you'll
find a crack between the panels, through which you'll be able to
see and hear sufficiently well. For the reception-room of the
countess is right behind this wall. When the visitor will be
gone, I'll come back to get you. But don't you stir from this
spot, before I'll come."
Thus, she left him alone, and without hesitation, he climbed up
the few steps and softly groped his way along the wall, heading
for the strip of light, which came through the narrow crack. The
large room was separated from the next chamber only by a wooden
wall, since, in times of greater splendour, both rooms had formed
a single, large festive hall. The shimmering light came from a
silver chandelier, which stood below on the table in front of the
countess's couch, and cast the portraits on the wall only in a
flickering light. Andrea had to get down on his knees, to be able
to look down into the room. But however uncomfortable this
position was, many would surely have liked to take his place,
though they would have cared less for what he got to hear than for
what there was to see.
Even though the chamber-maid was right, saying that her mistress
was in the habit of using a lot of make-up, she probably did so
more for the sake of fashion, than because she would have had to
to be regarded as beautiful. She sat on the couch, dressed as if
she had not expected such a late caller, the extremely ample hair,
with a slight touch of red in its colour, was loosened and
unstyled; since she had wept, her eyes were glistening
wonderfully, with traces of her tears still being visible on her
full, pale cheeks. The man, sitting opposite to her in an
armchair and turning his back to Andrea, seemed to observe her
keenly; at least, he moved his head not very often and listened
to even the harshest words of the beautiful woman, without
interrupting her with a single gesture.
Public-domain text, read in full here on John Shaqi.
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