"You're mistaken, Samuele," Andrea answered quickly and looked
into his face, as if he could not care less. "It is rather that
I'm grateful to you for helping me to overcome my indolence. If
it wasn't for you, I would hardly be here. Let's go upstairs, to
call on this important gentleman, who would hardly have received
us while he was still alive. A stately domicile, which he has to
exchange for so very narrow quarters in such an untimely fashion!
I pity him indeed, though I've never laid eyes on him."
Walking side by side among the large crowd, they ascended the
staircase, shrouded in black, and looking down from its top, there
was the coat of arms of the house of Venier, dressed in crape,
commanding the crowd to silence in the absence of a porter.
Inside, in the largest hall, the catafalque had been set up under
a canopy, tall cypress-trees touched the ceiling high above,
candles on silver candelabra flickered as the air blew from the
water across the open balcony through the hall, and four servants
of the house of Venier, dressed in black velvet, with crapes
wrapped around their shiny halberds, were standing on guard like
statues at the four corners of the catafalque. The corpse had
been covered with a velvet blanket; the silver fringes touched
the floor. The first thing the people saw of the dead man as they
entered the hall was his sharp profile with an angry and sad
expression, his closed eye turned towards the canopy. Andrea
recognised these features. In that night in Leonora's room, he
had firmly committed them to memory. But no twitch of his mouth
nor of his eyes, which were keenly fixed on the dead man, revealed
that the avenger was facing his victim. -
Public-domain text, read in full here on John Shaqi.
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